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Microscope slide. A set of standard 75 by 25 mm microscope slides. The white area can be written on to label the slide. A microscope slide is a thin flat piece of glass, typically 75 by 26 mm (3 by 1 inches) and about 1 mm thick, used to hold objects for examination under a microscope. Typically the object is mounted (secured) on the slide, and ...
A hemocytometer. The two semi-reflective rectangles are the counting chambers. The hemocytometer (or haemocytometer, or Burker's chamber) is a counting-chamber device originally designed and usually used for counting blood cells. [1] The hemocytometer was invented by Louis-Charles Malassez and consists of a thick glass microscope slide with a ...
Around 170,000 lantern size glass slides, manufactured from 1900 up to 1980 from all fields of Archeology and Art History, used by famous art historians such as Erwin Panofsky and Wolfgang Schöne. Slide Projectors. Digitization in progress since 2016, about 3,000 images online in database (password protected).
In light microscopy, oil immersion is a technique used to increase the resolving power of a microscope. This is achieved by immersing both the objective lens and the specimen in a transparent oil of high refractive index, thereby increasing the numerical aperture of the objective lens. Without oil, light waves reflect off the slide specimen ...
A 45-foot-long glass slide is being built on top of Los Angeles' U.S. Bank Tower. The slide will go from the 70th to the 69th floors and is estimated to sit a mere 1,000 feet above ground. The ...
Stereoscope. A stereoscope is a device for viewing a stereoscopic pair of separate images, depicting left-eye and right-eye views of the same scene, as a single three-dimensional image. A typical stereoscope provides each eye with a lens that makes the image seen through it appear larger and more distant and usually also shifts its apparent ...
Camera lucida. A camera lucida is an optical device used as a drawing aid by artists and microscopists. The camera lucida projects an optical superimposition of the subject being viewed, onto the surface upon which the artist is drawing. The artist sees both scene and drawing surface simultaneously, as in a photographic double exposure.
The company was founded in 1881 in Ottawa, Kansas, by two brothers, Elmer Underwood (born Fulton County, Illinois 1859 - died St. Petersburg, Florida 1947) and Bert Elias Underwood (born in Oxford, Illinois 1862 - died Tucson, Arizona 1943). [1] They moved to Baltimore and then to New York City in 1891.
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