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David Bowie, on the other hand, is a vocal icon to me. The man has one of the most distinctive singing voices of his generation, a deeply husky yet smoothly masculine quality that is just a pleasure to hear. Freddie Mercury too. Music mags in UK still talk about his Live Aid performance to this day. He could sing ok.
Adam Elrod is 100% GAY and I have proof. He and the guy RJ that sings with him in Fortress are lovers and that’s also a known fact. Adam Elrod is out of the closet and attends Gay clubs. He also ...
It was a confluence. Elvis's backup group on most of his classic recordings from the 1950s was the Jordanaires, a white Southern Gospel Quartet. Later on, when he toured with the Sweet Inspirations as his female backup singers, The Stamps a male white Southern Gospel quartet were the male backup singers.
How Gay Culture Influence Gospel and Popular Music. Offsite Link. by Anonymous: reply 5: June 19, 2023 2: ...
Major label Black artists are only permitted to record hip-hop influenced music, or pop. A young Black artist singing traditional R&B/Soul music is regarded as commercially non-viable. In the 90s and 00s some marketing exec coined the term "neo-soul" to try to denote a "new" type of music that could be commercially marketable.
As was bluegrass and folk, which in addition to rock and blues, rockabilly was influenced by. . . which we could play out the social like class, caste and political divisions of the more progressive hillbilly to traditional/corporate country, which overlapped with white gospel. played out the same with black blues and gospel... that shared ...
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She waited too long between albums. She released Breathe in 1999 but didn’t follow up till 2002 with Cry. At that time in music, artists had to release albums every year or every other year to stay relevant in the pop spectrum unless they already had a legacy. She was new in the crossover world and had to maintain that momentum but failed to.
I'd like to discuss religious Bud Collyer, Tom Poston and his 17 yr old girlfriend, creepy Orson Bean, gracious Southern belle Kitty and Peggy Cass' weight fluctuations. I also loved TTTT, from the 1950s version ("you'll get a carton of Salem cigarettes on your way out") through the groovy Pucci-inspired set and swingin' theme song of the 1960s.
The whole thing was just so sterile. It lacked any sense of spontaneity whatsoever. The music sounded canned, and she was obviously singing along to pre-recorded vocal tracks. It was basically like watching the world's longest music video performed live. Garbage. Honorable mentions: Luther Vandross, 1988, Inglewood Forum