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Because of the variety of performance modes, oríkì defies classification as music or poetry, and it has been studied from both perspectives. Historically, oríkì was delivered by a specialist in a particular vocal style. [4] For example, ìjálá is acoustically open and intense, while ewì is spoken in a high-falsetto, wailing voice quality ...
There is a strong link between Sotho music and Sotho poetry. A Sesotho praise poet characteristically uses assonance and alliteration. Eloquence or ‘bokheleke’ is highly valued in the sotho culture and people who possess this skill are respected. The praise poetry (dithoko) is not a musical form but, it is incorporated in most Sesotho songs ...
Muhammad. Qasīdat al-Burda (Arabic: قصيدة البردة, "Ode of the Mantle"), or al-Burda for short, is a thirteenth-century ode of praise for Muhammad composed by the eminent Shadhili mystic al-Busiri of Egypt. The poem, whose actual title is "The Celestial Lights in Praise of the Best of Creation" (الكواكب الدرية في ...
A verse from al-Busiri's poem al-Burda on the wall of his shrine in Alexandria. Al-Būṣīrī (Arabic: ابو عبد الله محمد بن سعيد بن حماد الصنهاجي البوصيري, romanized: Abū ʿAbdallāh Muhammad ibn Saʿīd al-Ṣanhājī al-Būṣīrī; 1212–1294) was a Sanhaji [1] [2] [3] Sufi Muslim poet belonging to the Shadhili, and a direct disciple of the Sufi ...
Mazisi Kunene. Mazisi (Raymond) Kunene (12 May 1930 – 11 August 2006) was a South African poet best known for his translation of the epic Zulu poem Emperor Shaka the Great. While in exile from South Africa's apartheid regime, Kunene was an active supporter and organiser of the anti-apartheid movement in Europe and Africa.
Izibongo is a genre of oral literature among various Bantu peoples of Southern Africa, including the Zulu [1] and the Xhosa. [2] While it is often considered to be poetry of praise, Jeff Opland and others consider the term "praise" (for "bonga") to be too limiting, since it can contain criticism also. [3]
Pangur Bán, 'White Pangur', is the cat's name, Pangur possibly meaning 'a fuller '. Although the poem is anonymous, it bears similarities to the poetry of Sedulius Scottus, prompting speculation that he is the author. [1] In eight verses of four lines each, the author compares the cat's happy hunting with his own scholarly pursuits.
Nakkīraṉãr, sometimes spelled Nakkirar or Nakkiranar, was a post- Sangam era Tamil poet. [1][2] He is credited with the devotional poem to the Hindu god Murugan in the Pattuppāṭṭu anthology, titled Tirumurukāṟṟuppaṭai. [1][3] In the historic Tamil tradition, he is believed to have also authored a second poem in the Sangam ...
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