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Ivory, amber buffalo horn. A netsuke (根付, [netsɯ̥ke]) is a miniature sculpture, originating in 17th century Japan. Initially a simply-carved button fastener on the cords of an inrō box, netsuke later developed into ornately sculpted objects of craftsmanship. [1]
Ivory trade. Ivory traders, c. 1912. The ivory trade is the commercial, often illegal trade in the ivory tusks of the hippopotamus, walrus, narwhal, [1] black and white rhinos, mammoth, [2] and most commonly, African and Asian elephants. Ivory has been traded for hundreds of years by people in Africa and Asia, resulting in restrictions and bans.
The Venus of Brassempouy, about 25,000 BP. 11th-century Anglo-Saxon ivory cross reliquary of walrus ivory. Ivory carving is the carving of ivory, that is to say animal tooth or tusk, generally by using sharp cutting tools, either mechanically or manually. Objects carved in ivory are often called "ivories". Humans have ornamentally carved ivory ...
Chinese craftsmen carved ivory to make everything from images of deities to the pipe stems and end pieces of opium pipes. [18] In Japan, ivory carvings became popular in the 17th century during the Edo period, and many netsuke and kiseru, on which animals and legendary creatures were carved, and inro, on which
Japanese sculpture. Sculpture in Japan began with the clay figure. Towards the end of the long Neolithic Jōmon period, "flame-rimmed" pottery vessels had sculptural extensions to the rim, [1] and very stylized pottery dogū figures were produced, many with the characteristic "snow-goggle" eyes. During the Kofun period of the 3rd to 6th century ...
The conservation and restoration of ivory objects is the process of maintaining and preserving objects that are ivory or include ivory material. Conservation and restoration are aimed at preserving the ivory material and physical form along with the objects condition and treatment documentation. Activities dedicated to the preservation of ivory ...
Objet d’art: A netsuke ivory carving from Japan, c. 18th or 19th century, coloured with black ink. The objet de vertu, wherein vertu suggests rich materials and a higher standard of refined manufacture and finish; the classification usually excludes objects made for realising a practical function. As works of art, objets de vertu reflect the ...
Gechu. Carved shaggy dog and pup netsuke made out of ivory, signed by Gechū. Baku: Monster that Eats Nightmares, ivory with staining, sumi (ink), and traces of red pigment, attributed to Gechū. Dog, ivory with staining, sumi, inlays, attributed to Gechū. Gechū (牙虫; [1][2][3] active 18th century) was a Japanese sculptor.
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