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The bouba/kiki effect shows that across cultures, sounds like "kiki" are linked with sharpness (left) and sounds like "bouba" with roundness (right), i.e. that sound symbolism is widespread. Tolkien's point of view was a "heresy" because the usual structuralist view of language is that there is no connection between specific sounds and meanings ...
Sound symbolism is used in commerce for the names of products and even companies themselves. [20] For example, a car company may be interested in how to name their car to make it sound faster or stronger. Furthermore, sound symbolism can be used to create a meaningful relationship between a company's brand name and the brand mark itself.
Initial work in the field was criticized for focusing mainly on white male inventors in Euro-America. Consequently, the field is currently in a period of expansion, with important texts coming out in recent years on sound, listening, and hearing as they relate to race, gender, and colonialism.
The kind of katajjaq mentioned above, which mimics the cry of geese, shows some similarities with the practice of the hunters to lure game. [8]Some Inuit used a tool (shaped like a claw) to scratch the ice of the frozen sea in order to attract seals.
The early Buddhist texts are also generally believed to be of oral tradition, with the first by comparing inconsistencies in the transmitted versions of literature from various oral societies such as the Greek, Serbia and other cultures, then noting that the Vedic literature is too consistent and vast to have been composed and transmitted ...
Both individualistic and collectivistic cultures involve how they work in groups and how they prioritize relationships and goals. Psychologists, scholars, and communication experts utilize the differences between cultures and individualistic versus collectivistic cultures to better understand language and the different dynamics of cultures. [15]
Because ethnomusicology is not limited to the study of music from non-Western cultures, it has the potential to encompass various approaches to the study of the many types of music around the world and emphasize their different contexts and dimensions (cultural, social, material, cognitive, biological, etc.) beyond their isolated sound components.
Contrastive rhetoric is the study of how a person's first language and his or her culture influence writing in a second language or how a common language is used among different cultures. The term was first coined by the American applied linguist Robert Kaplan in 1966 to denote eclecticism and subsequent growth of collective knowledge in ...