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Giotto's bell tower seen from the top of the Duomo. View from the tower. Giotto's Campanile (/ ˌ k æ m p ə ˈ n iː l i,-l eɪ /, also US: / ˌ k ɑː m-/, Italian: [kampaˈniːle]) is a free-standing campanile (bell tower) that is part of the complex of buildings that make up Florence Cathedral on the Piazza del Duomo in Florence, Italy.
Giotto di Bondone (Italian: [ˈdʒɔtto di bonˈdoːne]; c. 1267 [a] – January 8, 1337), [2] [3] known mononymously as Giotto [b], was an Italian painter and architect from Florence during the Late Middle Ages. He worked during the Gothic and Proto-Renaissance period. [7]
Piazza del Duomo and Piazza San Giovanni, Florence South view from Giotto's bell. Piazza del Duomo (English: "Cathedral Square") is located in the heart of the historic center of Florence (Tuscany, Italy). It is one of the most visited places in Europe and the world and in Florence, the most visited area of the city. [1]
The most notable features of the basilica are its sixteen chapels, many of them decorated with frescoes by Giotto and his pupils, and its tombs and cenotaphs.. It is the burial place of many illustrious Italians, such as Michelangelo, Machiavelli, Enrico Fermi, Galileo, Ugo Foscolo, Guglielmo Marconi, Luigi Cherubini, Leon Battista Alberti, Vittorio Alfieri, Gioachino Rossini, Lorenzo Ghiberti ...
Baroncelli Polyptych, painted by Giotto. The Baroncelli Chapel is a chapel located at the end of the right transept in church of Santa Croce, central Florence, Italy. It has frescoes by Taddeo Gaddi executed between 1328 and 1338.
Giotto's Crucifix at Santa Maria Novella is a cross painted in tempera and gold on wood panel (578 x 406 cm) by Giotto di Bondone around 1290-1295. The crucifix is preserved in the center of the nave of Florence's Santa Maria Novella basilica. It is one of the earliest known works by the artist, then in his early twenties.
The site comprises eight buildings, both religious and secular, in four clusters. They house fresco cycles that were painted between 1302 and 1397 by several prominent painters: Giotto, Guariento di Arpo, Giusto de' Menabuoi, Altichiero da Zevio, Jacopo d'Avanzi, and Jacopo da Verona. The frescos are innovative in their way of depicting the ...
Giotto made an extensive use of chiaroscuro. Details include the rich garments and the crosier of St. Nicholas, the gesture of the Child grasping at his mother's neckline and St. Peter's stole. Similar details were used by Giotto also in Rimini Crucifix and the Stigmata of St. Francis , and have led to the 14th century dating..