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The Earth) is a 1980 Telugu-language philosophical long poem by C. Narayana Reddy. [1] It is written in free verse and was an outcome of Narayana Reddy's meditation on the meaning and mystery of human existence. [2] It deals with the theme of universal brotherhood and the quest of man for the meaning of life and of the nature of the universe ...
Molla Ramayanam is a Telugu epic poem composed by the 16th-century poetess Molla, based on the Sanskrit Ramayana by Valmiki. [1] [2] Written in accessible Telugu, this version is notable for its extensive use of kandam-style verse, which led to it also being called "Kanda Ramayanam." [3] Molla's Ramayanam is considered the first condensed ...
Aarudra was born in Yelamanchili, Anakapalli district, Andhra Pradesh, India on 31 August 1925. [7] Aarudra is the nephew of Telugu poet Sri Sri.After primary education, he shifted to Vizianagaram in 1942 for his college education.
Mahakavi Nandi Thimmana (Telugu: నంది తిమ్మన; c. 15th and 16th centuries CE) was a Telugu poet and an Ashtadiggaja in the imperial court of Emperor Krishnadevaraya of Vijayanagara. He is often called Mukku Thimmana (lit. ' Thimmana of the nose ') after his celebrated poem on a woman's nose.
Gurram Jashuva (Telugu: గుర్రం జాషువా; September 28, 1895 – July 24, 1971) was a Telugu poet. He is legendary figure in the Telugu literary world. With his immense wisdom and through the struggle he faced due to the caste-based discrimination, Jashuva wrote his poetry with a universal approach.
Sensuality, in general, may be divided into two kinds, union and separation. Rayaprolu preferred separation in his writings. Rayaprolu was a great patriot and Telugu nationalist. He praised the (past) greatness of Telugu warriors to awaken the sleeping Telugu pride. Rayaprolu Subbarao defined Telugu romanticism and began a new era in Telugu ...
He wrote the first major Prabandha, a form of fictional poetry in Telugu, and for this reason, he is revered as Andhra Kavita Pitamahudu (the grand father of Telugu poetry). It is believed that he was also a minister in the king's court and is hence sometimes referred as Peddanaamaatyudu (Sandhi: Peddana + Amaatyudu = Peddana, the minister).
Two of his works were revolutionary in Telugu and the first of their kind. Kalapurnodayam is more of a novel than poetry and Raghava Pandaveeyam is in dvayarthi (double meaning) style. Kalapurnodayamu means full bloom of art. Surana used advanced literary techniques in Indian literature such as flashbacks and character transformation.