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The triptych format has been used in non-Christian faiths, including, Judaism, Islam, and Buddhism. For example: the triptych Hilje-j-Sherif displayed at the National Museum of Oriental Art, Rome, Italy, and a page of the Qur'an at the Museum of Turkish and Islamic Arts in Istanbul, Turkey, exemplify Ottoman religious art adapting the motif. [7]
Second Version of Triptych 1944 1988 Catalogue Raisonné Number 88-05 Oil and Aerosol Paint on Canvas 198 x 147.5cm (78 x 58 in) Tate, London The second version of Three Studies for Figures at the Base of a Crucifixion (1944). Painted by Bacon after the 1944 triptych was deemed too fragile to travel to New York for an exhibition. Triptych 1991 1991
Trinity Triptych; Triptych; Triptych Bleu I, II, III; Triptych Inspired by the Oresteia of Aeschylus; Triptych of the Annunciation; Triptych of the Madonna of Humility with Saints; Triptych of the Sedano family; Triptych with Scenes from the Life of the Virgin; Triptych with the Virgin and Child, Saints and Donors; Triptych–August 1972 ...
In Triptych Inspired by T. S. Eliot's poem "Sweeney Agonistes", Bacon shows a couple erotically entwined in the right-hand panel, while a clothed male figure stands looking at them. The left-hand panel shows another couple, in full view, lying in Post-coital tristesse. Here, Bacon is looking at the notion of voyeurism as an ideal prelude to ...
Twentieth-century art historians are divided as to whether the triptych's central panel is a moral warning or a panorama of the paradise lost. He painted three large triptychs (the others are The Last Judgment of c. 1482 and The Haywain Triptych of c. 1516) that can be read from left to right and in which each panel was essential to the meaning ...
The Dresden Triptych (or Virgin and Child with St. Michael and St. Catherine and a Donor, or Triptych of the Virgin and Child) is a very small hinged-triptych altarpiece by the Early Netherlandish painter Jan van Eyck. It consists of five individual panel paintings: a central inner panel, and two double-sided wings.
James Francis Gill (born 1934) is an American artist and one of the protagonists of the Pop art movement. [1]In 1962, the Museum of Modern Art included his Marilyn Tryptych [2] into its permanent collection. [3]
Sowing and Harvesting and Market, popularly referred to as the Vršac triptych, is a three-panel oil painting by the Serbian realist Paja Jovanović. Painted around 1895, it shows the everyday interactions of the inhabitants of Vršac , a multi-ethnic and multi-religious town in the Banat region of Austria-Hungary of which Jovanović was a native.