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The Senses is a series of five oil paintings, completed c. 1624 or 1625 by Rembrandt, depicting the five senses. [1] The whereabouts of one, representing the sense of taste, is unknown. Another, representing smell, was only re-identified in 2015.
Sensory history is an area of academic study which examines the role the five senses have played in the past. It developed partly as a reaction to the lack of serious attention given to sensory experience in traditional history books, which often treat sensory experience as a writing technique rather than a serious avenue of enquiry. [1]
The concept of five inward wits similarly came from Classical views on psychology. Modern thinking is that there are more than five (outward) senses, and the idea that there are five (corresponding to the gross anatomical features — eyes, ears, nose, skin, and mouth — of many higher animals) does not stand up to scientific scrutiny.
The Five Senses is a series of five paintings depicting allegories of sight, smell, taste, hearing, and touch, painted by Flemish artist Michaelina Wautier in 1650. Each sense is personified by a young boy. [1] The paintings have been loaned to the Museum of Fine Arts, Boston, by their owners, Rose-Marie and Eijk van Otterloo. [2]
The central idea of this model is that experience is represented in the mind in sensorial terms, i.e. in terms of the putative five senses, qualia. [3] According to Bandler and Grinder our chosen words, phrases and sentences are indicative of our referencing of each of the representational systems. [4]
Organic imagery / subjective imagery, pertains to personal experiences of a character's body, including emotion and the senses of hunger, thirst, fatigue, and pain. [2] Phenomenological, pertains to the mental conception of an item as opposed to the physical version. Color imagery is the ability to visualize a color in its absence.
Born on 11 January 1650, Diana Glauber was a Dutch painter. [1] According to Houbraken she was the daughter of the Amsterdam chemist Johann Rudolph Glauber, and the sister of the painters Jan Gotlief and Johannes Glauber. [2]
[1] [2] The allegorical representation of the five senses as female figures had begun in the previous century, the earliest known examples being the Lady and the Unicorn series of tapestries, which date to around 1500, [3] but Brueghel was the first to illustrate the theme using assemblages of works of art, musical instruments, scientific ...
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