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Much lyric poetry depends on regular meter based either on syllable or on stress – two short syllables or one long syllable typically counting as equivalent – which is required for song lyrics in order to match lyrics with interchangeable tunes that followed a standard pattern of rhythm. Although much modern lyric poetry is no longer song ...
The poem employs alliteration, anaphora, simile, satire, and internal rhyme but no regular end rhyme scheme. However, lines 1 and 2 and lines 6 and 8 end with masculine rhymes. Dickinson incorporates the pronouns you, we, us, your into the poem, and in doing so, draws the reader into the piece. The poem suggests anonymity is preferable to fame.
Alcaeus and Sappho (Brygos Painter, Attic red-figure kalathos, c. 470 BC). Greek lyric is the body of lyric poetry written in dialects of Ancient Greek.It is primarily associated with the early 7th to the early 5th centuries BC, sometimes called the "Lyric Age of Greece", [1] but continued to be written into the Hellenistic and Imperial periods.
Lyric. Canzone: a lyric poem originating in medieval Italy and France and usually consisting of hendecasyllabic lines with end-rhyme. Epithalamium; Madrigal: a song or short lyric poem intended for multiple singers. Ode: a formal lyric poem that addresses, and typically celebrates, a person, place, thing, or idea. Horatian Ode
One major exception is the fourth verse of the poem For the Fallen by Laurence Binyon, which is often known as The Ode to the Fallen, or simply as The Ode. W.H. Auden also wrote Ode , one of the most popular poems from his earlier career when he lived in London, in opposition to people's ignorance over the reality of war.
The individual rhythmical patterns used in Greek and Latin poetry are also known as "metres" (US "meters"). Greek poetry developed first, starting as early as the 8th century BC with the epic poems of Homer and didactic poems of Hesiod, which were composed in the dactylic hexameter. A variety of other metres were used for lyric poetry and for ...
Book 1 consists of 38 poems. The opening sequence of nine poems are all in a different metre, with a tenth metre appearing in 1.11. It has been suggested that poems 1.12–1.18 form a second parade, this time of allusions to or imitations of a variety of Greek lyric poets: Pindar in 1.12, Sappho in 1.13, Alcaeus in 1.14, Bacchylides in 1.15, Stesichorus in 1.16, Anacreon in 1.17, and Alcaeus ...
Sijo poems often follow a rhythmic structure characterized by the syllabic ways of Chinese and Hangul characters. Specifically, they follow a 3-4-3-4, 3-4-3-4, 3-5-4-3 rhythmic structure per line. An example of the strictness of early sijo is seen especially in their third lines. It sticks hard to the “3-5” syllable rule at the beginning of ...