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Drama. Life at the beginning of the collapse of Yugoslavia 1994 Italy The Bull: Il toro: Carlo Mazzacurati: Comedy, Drama. 1995 Yugoslavia Bulgaria Czech Republic France Germany Hungary United Kingdom United States Underground: Emir Kusturica: Comedy, Drama. 1997 Yugoslavia Greece Balkan Rules: Балканска правила Balkanska ...
Balkan ekspres: Branko Baletić: 1983 The Falcon: Vatroslav Mimica: 1984 U raljama života: Rajko Grlić: 1984 Balkanski špijun: Dušan Kovačević, Božidar Nikolić: 1984 Davitelj protiv davitelja: Slobodan Šijan: 1984 Dediščina: Matjaž Klopčič: 1984 Nema problema: Mića Milošević: 1984 Čudo neviđeno: Živko Nikolić: 1985 Otac na ...
For war film productions of Yugoslavia, see Category:Yugoslav war films. Subcategories. This category has the following 4 subcategories, out of 4 total. B.
A Cell Phone Movie: Nedžad Begović: 2012: Children of Sarajevo: Marija Pikić: Ismir Gagula, Bojan Navojec: Drama: 2013: U potrazi za porodicom: Ognjen Oggi Tomić: Documentary: Part of Al Jazeera Balkans series Oni pobjeđuju [1] An Episode in the Life of an Iron Picker: Danis Tanović: Nazif Mujić: Drama
Walter Defends Sarajevo, a 1972 partisan film, has a cult status in the countries of former Yugoslavia, [1] [2] and was seen by 300 million Chinese viewers in the year of its release alone. [ 1 ] Partisan film ( Serbo-Croatian : partizanski film / партизански филм ) is the name for a subgenre of war films made in Yugoslavia ...
Yugoslavia occupied a significant portion of the Balkan Peninsula, including a strip of land on the east coast of the Adriatic Sea, stretching southward from the Bay of Trieste in Central Europe to the mouth of Bojana as well as Lake Prespa inland, and eastward as far as the Iron Gates on the Danube and Midžor in the Balkan Mountains, thus including a large part of Southeast Europe, a region ...
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The Cinema of Yugoslavia refers to the film industry and cinematic output of the former Socialist Federal Republic of Yugoslavia, which existed from 1945 until it disintegrated into several independent nations in the early 1990s. Yugoslavia was a multi-ethnic, socialist state, and its cinema reflected the diversity of its population, as well as ...