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Tanaquil Le Clercq was the fourth and last wife (1952–1969) of George Balanchine, the pioneer of American ballet. He obtained a quick divorce from her to woo Suzanne Farrell (who refused Balanchine's marriage proposal and went on to marry another Balanchine dancer, Paul Mejia). Le Clercq died of pneumonia in New York Hospital at the age of 71 ...
Nicholas Magallanes (November 27, 1922 – May 2, 1977) was a Mexican-born American principal dancer and charter member of the New York City Ballet. [1] Along with Francisco Moncion, Maria Tallchief, and Tanaquil Le Clercq, Magallanes was among the core group of dancers with which George Balanchine and Lincoln Kirstein formed Ballet Society, the immediate predecessor of the New York City Ballet.
Jacques d'Amboise (born Joseph Jacques Ahearn, July 28, 1934 – May 2, 2021) [1] was an American ballet dancer, choreographer, and educator. He joined the New York City Ballet in 1949 and was named principal dancer in 1953, and throughout his time with the company he danced 24 roles for George Balanchine.
Villella became a member of the New York City Ballet in 1957, rising to soloist in 1958 and principal dancer in 1960, last dancing there in 1979. [4]: 179 Among his most noteworthy [5] performances were Oberon in George Balanchine's ballet A Midsummer Night's Dream (with music by Felix Mendelssohn), Tarantella, Rubies in the Balanchine ballet Jewels, and Prodigal Son.
Dances at a Gathering is the first ballet Robbins created for the New York City Ballet (NYCB) in years, after he worked on Broadway theatre. [1] He first planned to make a pas de deux for Patricia McBride and Edward Villella, but it was eventually expanded to five couples. [2]
Despite Jones's long association with New York's performing arts and cultural life, he has never resided in the city. [ 8 ] : 144 One of Jones's sisters, Rhodessa Jones, is a noted San Francisco performance artist, prison-arts educator and Co-Artistic Director of the performance ensemble Cultural Odyssey. [ 36 ]
He continued to choreograph and stage productions for both the Joffrey Ballet and the New York City Ballet into the 1970s. Robbins became ballet master of the New York City Ballet in 1972 and worked almost exclusively in classical dance throughout the next decade, pausing only to stage revivals of West Side Story (1980) and Fiddler on the Roof ...
From 1950 to 1955, he taught at the New York High School for the Performing Arts, where he staged his earliest ballets. He founded the Joffrey Ballet School in New York City in 1953, where it remains as a separate organization from The Joffrey Academy of Dance in Chicago, which is the official school of the Joffrey Ballet Company. [3] [4]