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The incipit is "Sicut cervus desiderat ad fontes" (As the deer desires the fountains) followed by a second part (secunda pars) "Sitivit anima mea" (My soul thirsts). It was published in 1604 in Motecta festorum, Liber 2 , and has become one of Palestrina's most popular motets, regarded as a model of Renaissance polyphony , expressing spiritual ...
Giovanni Pierluigi da Palestrina, lithograph by Henri-Joseph Hesse. This is a list of compositions by Giovanni Pierluigi da Palestrina, sorted by genre.The volume (given in parentheses for motets) refers to the volume of the Breitkopf & Härtel complete edition in which the work can be found.
Giovanni Pierluigi da Palestrina (between 3 February 1525 and 2 February 1526 – 2 February 1594) [n 1] was an Italian composer of late Renaissance music.The central representative of the Roman School, with Orlande de Lassus and Tomás Luis de Victoria, Palestrina is considered the leading composer of late 16th-century Europe.
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Quemadmodum desiderat cervus (or Sicut cervus desiderat) ad fontes aquarum ita desiderat anima mea ad te Deus. [4] (As a hart longs for the flowing streams, so longs my soul for thee, O God.) The phrase in the humanist sense is associated with the poet Petrarch, whose poems Rerum Vulgarium Fragmenta (c.1350) use the deer imagery of the Psalm.
Psalm 42 is the 42nd psalm of the Book of Psalms, often known in English by its incipit, "As the hart panteth after the water brooks" (in the King James Version).The Book of Psalms is part of the third section of the Hebrew Bible, and a book of the Christian Old Testament.
The first printed dictionary of the Arabic language in Arabic characters. [20] Jacobus Golius, Lexicon Arabico-Latinum, Leiden 1653. The dominant Arabic dictionary in Europe for almost two centuries. [20] Georg Freytag, Lexicon Arabico-Latinum, praesertim ex Djeuharii Firuzubadiique et aliorum libris confectum I–IV, Halle 1830–1837 [20]
Missa Papae Marcelli, or Pope Marcellus Mass, is a mass sine nomine by Giovanni Pierluigi da Palestrina.It is his best-known mass, [1] [2] and is regarded as an archetypal example of the complex polyphony championed by Palestrina.