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The following is a list of Japanese-language poets. Poets are listed alphabetically by surname (or by a widely known name, such as a pen name, with multiple names for the same poet listed separately if both are notable). Small groups of poets and articles on families of poets are listed separately, below, as are haiku masters (also in the main ...
Edition of the Kokin Wakashū anthology of classic Japanese poetry with wood-carved cover, 18th century. Japanese poetry is poetry typical of Japan, or written, spoken, or chanted in the Japanese language, which includes Old Japanese, Early Middle Japanese, Late Middle Japanese, and Modern Japanese, as well as poetry in Japan which was written in the Chinese language or ryūka from the Okinawa ...
A poetry card from the card game version of the Ogura Hyakunin Isshu, a compilation of tanka. Tanka (短歌, "short poem") is a genre of classical Japanese poetry and one of the major genres of Japanese literature. [1] [2] [3]
Traditional Japanese haiku consist of three phrases composed of 17 morae (called on in Japanese) in a 5, 7, 5 pattern; [1] that include a kireji, or "cutting word"; [2] and a kigo, or seasonal reference. However, haiku by classical Japanese poets, such as Matsuo Bashō, also deviate from the 17-on pattern and sometimes do not contain a kireji.
Kireji (切れ字, lit. "cutting word") are a special category of words used in certain types of Japanese traditional poetry. It is regarded as a requirement in traditional haiku, as well as in the hokku, or opening verse, of both classical renga and its derivative renku (haikai no renga).
This is a list of kigo, which are words or phrases that are associated with a particular season in Japanese poetry.They provide an economy of expression that is especially valuable in the very short haiku, as well as the longer linked-verse forms renku and renga, to indicate the season referenced in the poem or stanza.
The Man'yōshū is an anthology of Japanese waka poetry. It was compiled in the eighth century (during Japan's Nara period), likely in a number of stages by several people, [1] with the final touches likely being made by Ōtomo no Yakamochi, [1] the poet whose work is most prominently featured in the anthology. [2]
Among well-known recent poets, Archbishop Henjō masters style but is deficient in substance. It is no more satisfying to read one of his poems than to fall in love with a woman in a picture. The poetry of Ariwara Narihira tries to express too much content in too few words. It resembles a faded flower with a lingering fragrance.