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The lyrics attracted controversy. The Inner London Education Authority described the song as "scandalous", and according to Renshaw, Prime Minister Margaret Thatcher "hated it". [13] Renshaw said, "There was a political knee-jerk reaction to a song that had nothing to do with the education system.
However, the statement "I don't completely disagree" is a similar double negative to "I don't disagree" but needs little or no clarification. With the meaning "I completely agree", Lowth would have been referring to litotes wherein two negatives simply cancel each other out.
A Rapino Brothers remix of "(We Don't Need This) Fascist Groove Thang" was released as a single in 1993, reaching number 40 in the UK Singles Chart. [16] The remix and original version of the song were included on the compilation album Higher and Higher – The Best of Heaven 17 , released in the same year.
Penthouse and Pavement is the debut studio album by English synth-pop band Heaven 17, released in September 1981 by Virgin Records. "(We Don't Need This) Fascist Groove Thang" was released as a single, but did not achieve chart success, partly due to a ban by the BBC. [5]
"We Don't Need Another Hero (Thunderdome)" is a song written by Graham Lyle and Terry Britten. It was recorded by American singer Tina Turner for the soundtrack album to the 1985 film Mad Max Beyond Thunderdome, which starred Mel Gibson and Turner.
We shall cheer you, thank you, kiss you When you come back again. Chorus (to be sung after each refrain): Oh! we don't want to lose you but we think you ought to go For your King and Country both need you so; We shall want you and miss you but with all our might and main We shall cheer you, thank you, kiss you When you come back again. Verse 2:
The song "Auld Lang Syne" comes from a Robert Burns poem. Burns was the national poet of Scotland and wrote the poem in 1788, but it wasn't published until 1799—three years after his death.
"Awaiting on You All" is a song by English musician George Harrison, released on his 1970 triple album, All Things Must Pass. Along with the single "My Sweet Lord", it is among the more overtly religious compositions on All Things Must Pass, and the recording typifies co-producer Phil Spector's influence on the album, due to his liberal use of reverberation and other Wall of Sound production ...