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[1]: 5 It is the Indonesian variants of the whole Austronesian architecture found all over places where Austronesian people inhabited from the Pacific to Madagascar each having their own history, culture and style. Ethnic groups in Indonesia are often associated with their own distinctive form of rumah adat. [2]
A Rumah Gadang serves as a residence, a hall for family meetings, and for ceremonial activities. In the matrilineal Minangkabau society, the Rumah Gadang is owned by the women of the family who live there; ownership is passed from mother to daughter. The houses have a dramatic curved roof structure with multi-tiered, upswept gables.
Pemandangan was a daily Indonesian language newspaper published in the Dutch East Indies (or later Indonesia) between 1933 and 1958. It was one of the few local newspapers which was initially allowed to operate during the Japanese occupation of the Dutch East Indies .
In Indonesian, pekarangan can be translated as "land that surrounds a house", "a house's yard", or "plotted land for house construction". [1] However, the term is widely used in scientific literature, specifically in agroforestry and environmental topics, to mean "home gardens". [2]
Rumah ulu is a traditional house of people living upstream of Musi River, South Sumatra.The name ulu is derived from the word uluan, which means "upstream".The term is also used as a generalization for rural inhabitants of the mountain range of Central Bukit Barisan upstream of the River.
Taman Sari Water Castle, also known as Taman Sari (Javanese: ꦠꦩꦤ꧀ ꦱꦫꦶ), is the site of a former royal garden of the Sultanate of Yogyakarta.It is located about 2 km south within the grounds of the Kraton, Yogyakarta, Indonesia.
The complex is located on a 0.4841-hectare (1.196-acre) site and consists of two distinct houses that were built at different times. Both houses were built using timber that withstood the climate of the area. The older house was constructed in the 1850s and used the Rumah Bujang Berpeleh Kembar Tiga style, as can be dominantly seen on its roof.
Priyanto Sunarto, Seniman, 1976, reconstructed 2015, Line drawing on wall, Collection of National Gallery Singapore The Indonesian New Art Movement, also known as Gerakan Seni Rupa Baru (GSRB) was an art movement of young artists from Bandung and Yogyakarta against the institutional concept of Indonesian fine art (Indonesian: Seni Rupa) being limited to paintings and sculptures.