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Nang Kwak is represented as a beautiful woman often wearing a red Thai dress.She wears a golden crown and is in the sitting or kneeling position. Her right hand is raised in the Thai way of beckoning a customer, with the palm of the hand curved and pointing downwards.
This symbolism implies wealth and prosperity are coupled with the maintenance of life, justice, and peace. [44] When Lakshmi and Vishnu appear together in images and statues, she is significantly smaller, which is often used to portray her devotional status as a wife. A frequently depicted scene of the pair illustrates Lakshmi massaging Vishnu ...
La Calavera Catrina ("The Dapper [female] Skull") is an image and associated character originating as a zinc etching created by the Mexican printmaker and lithographer José Guadalupe Posada (1852–1913). The image is usually dated c. 1910 –12. Its first certain publication date is 1913, when it appeared in a satiric broadside (a newspaper ...
Vasudhārā whose name means "stream of gems" in Sanskrit, also known as "Gold Tara", is the Buddhist goddess of wealth, prosperity, and abundance. Her popularity peaks in Nepal where she has a strong following among the Buddhist Newars of the Kathmandu Valley and is thus a central figure in Newar Buddhism . [ 1 ]
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Pixiu (Chinese: 貔貅; pinyin: píxiū; Wade–Giles: pʻi 2-hsiu 1; 貔貅, OC: * bi qʰu) is a Chinese mythical hybrid creature. Pixiu are considered powerful protectors of the souls of the dead, xian, [1] and feng shui practitioners, and resemble strong, winged lions.
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In both pictures, a fallen child or child worker symbolizes the plight of the workers. [3] Another shared element is a red flag raised amongst the workers, symbolizing the emergence of the socialist movement. [10] The basic message of the image is a critique of the capitalist system, depicting a hierarchy of power and wealth.