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Pages in category "Ancient Greek vase-painting styles" The following 49 pages are in this category, out of 49 total. This list may not reflect recent changes .
White-ground vases were produced, for example, in Ionia, Laconia and on the Cycladic islands, but only in Athens did it develop into a veritable separate style beside black-figure and red-figure vase painting. For that reason, the term "white-ground pottery" or "white-ground vase painting" is usually used in reference to the Attic material only.
The local production of Etruscan vases probably began in the 7th century BC. Initially, the vases followed examples of black-figure vase painting from Corinth and East Greece. It is assumed that in the earliest phase, vases were produced mainly by immigrants from Greece. The first major style was so-called Pontic vase painting.
Farmhouse-kitchen at Hale Farm and Village. A farmhouse kitchen is a kitchen room designed for food preparation, dining and a sociable space. Typical of poorer farmhouses throughout the Middle Ages where rooms were limited, wealthier households would separate the smoke of the kitchen from the dining and entertaining areas.
From the outset the house had two fireplaces. In the living room, the Stube, there was a cocklestove, and in the Flur was a stove for cooking, which was later partitioned off to form a kitchen. Initially, this type of house only had one storey, but from about the 15th century they were usually built in two storeys with a ground floor and upper ...
A bare room was considered to be in poor taste, so every surface was filled with objects that reflected the owner's interests and aspirations. The parlour was the most important room in a home and was the showcase for the homeowners where guests were entertained. The dining room was the second-most important room in the house.
The Paestan vase painting style was originated by Sicilian immigrants around 360 BC, and was the last of the South Italian styles to develop. The first workshop was controlled by Asteas and Python , who are the only South Italian vase painters known from inscriptions.
The style owes its name to the predominant motif found on such vases: friezes of goats. The style developed the technique introduced during the Orientalizing period of rendering the heads of figures in outline by applying it to the whole of a figure. Thus where previously an image was a silhouette, the Wild Goat style allowed a greater ...
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