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This was followed by Gothic art inspired papers in earth tones with stylized leaf and floral patterns. William Morris was one of the most influential designers of wallpaper and fabrics during the latter half of the Victorian period. Morris was inspired and used Medieval and Gothic tapestries in his work. Embossed paper were used on ceilings and ...
Example of an Egyptian design with wallpaper group p4m. A wallpaper group (or plane symmetry group or plane crystallographic group) is a mathematical classification of a two-dimensional repetitive pattern, based on the symmetries in the pattern. Such patterns occur frequently in architecture and decorative art, especially in textiles, tiles ...
In the 1850s, during the Victorian era prior to Morris, most English wallpaper was inspired by the geometric and historical designs of Augustus Welby Pugin, who had created the neo-Gothic interiors of Westminster Palace, and Owen Jones, notable for his abstract geometric patterns. Wallpaper design was also strongly influenced by imitations of ...
Other designers who worked in the Modern Gothic style include Bruce James Talbert, Edward William Godwin, and Thomas Jeckyll in England; and Kimbel and Cabus, Frank Furness, and Daniel Pabst in the United States. The style's parting zenith was the Modern Gothic furniture exhibited at the 1876 Centennial Exposition in Philadelphia. [2]
The Anglo-Japanese style developed in the United Kingdom through the Victorian era and early Edwardian era from approximately 1851 to the 1910s, when a new appreciation for Japanese design and culture influenced how designers and craftspeople made British art, especially the decorative arts and architecture of England, covering a vast array of art objects including ceramics, furniture and ...
At the end of the Restoration (1814–1830) and during the Louis-Philippe period (1830-1848), Gothic Revival motifs start to appear in France, together with revivals of the Renaissance and of Rococo. During these two periods, the vogue for medieval things led craftsmen to adopt Gothic decorative motifs in their work, such as bell turrets ...
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