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Death, the underworld; "my regrets follow you to the grave"; [2] [3] [7] remembered beyond the tomb [8] Aster: Symbol of love, daintiness, [4] talisman of love, trusting; cheerfulness in old age [8] Astragalus: Your presence softens my pain [5] [2] Azalea: Take care, temperance, [2] [5] [8] fragile, gratitude, passion, Chinese symbols of ...
A common motif used in Chinese embroidery and in Chinaware. [12] The butterfly is a symbol of joy and summer. [12] It also implies long life, beauty and elegance. [6] Pair of butterflies Pair of butterflies embroidered on clothing strengthens the energy of love. [6] Love, especially young love; undying bond between lovers. [6] Cicada
Longevity is commonly recognized as one of the Five Blessings (wǔfú 五福 – longevity, wealth, health, love of virtue, a peaceful death) of Chinese belief [3] that are often depicted in the homophonous rendition of five flying bats because the word for "bat" in Chinese (fú 蝠) sounds like the word for "good fortune" or "happiness" (fú ...
Chinese folk religion and writings on it also use them, such as in Northeast China with the fox gods or "huxian" common in the region. The Three Sovereigns had similarities to xian because of some of their supernatural abilities and could have been considered such. [citation needed] Upon his death, the Yellow Emperor was "said to have become" a ...
Rāgarāja is known to transform worldly lust into spiritual awakening. When scriptures related to him reached China during the Tang dynasty, his Sanskrit name was translated as Àirǎn Míngwáng "Love-stained Wisdom King". In Japanese, the same Kanji characters are read Aizen Myō'ō.
Xinxin Ming (alternate spellings Xin Xin Ming or Xinxinming) (Chinese: 信心銘; Pīnyīn: Xìnxīn Míng; Wade–Giles: Hsin Hsin Ming; Rōmaji: Shinjinmei), meaning literally: "Faith-Mind Inscription", is a poem attributed to the Third Chinese Chán Patriarch Jianzhi Sengcan (Chinese: 鑑智僧璨; Pīnyīn: Jiànzhì Sēngcàn; Wade–Giles: Chien-chih Seng-ts'an; Romaji: Kanchi Sōsan ...
Cranes regularly appear in Chinese arts such as paintings, tapestry, and decorative arts; they are also often depicted carrying the souls of the deceased to heaven. [2] The crane is the second most important bird after the fenghuang, the symbol of the empress, in China. [4]: 108
Chinese spiritual world concepts are cultural practices or methods found in Chinese culture.Some fit in the realms of a particular religion, others do not. In general these concepts were uniquely evolved from the Chinese values of filial piety, tacit acknowledgment of the co-existence of the living and the deceased, and the belief in causality and reincarnation, with or without religious ...