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[1] [2] A teaser video for the song was released on November 8, [3] [4] followed by its music video and digital release on November 11. [5] "Lightsaber" was later announced to be included in Sing for You as a bonus track on December 7. The song talks about a guy being the girl's "lifesaver" and her "lightsaber" and brings her out of her darkness.
Song Writer Album Year Ref "Non Stop" Jo Yoon-kyung Obi Klein Charli Taft Andreas Oberg Obsession: 2019 [12] "No Matter (훅!)" Mok Ji-min (lalala Studio) Skylar Mones Andreas Öberg Patrick Hartman Don't Fight the Feeling: 2021 [20] "No Makeup" Adrian Mckinnon Greg Bonnick Hayden Chapman LDN Noise Moon Seol-li Sevn Dayz Exist: 2023 [6]
Ex'Act (stylized in all caps) is the third studio album by South Korean boy band Exo.It was released by SM Entertainment in Korean and Chinese versions on June 9, 2016. The album was re-released under the title Lotto on August 18, 2016.
As one of the few original songs included in director Blitz Bazawule’s revival of “The Color Purple,” “Keep It Movin'” has already emerged as a focal point for the movie, which earned ...
Choreographer Fatima Robinson fused hip-hop, dance, African history, tap, jazz and even Jamaican moves as she crafted the musical numbers in “The Color Purple,” but there was one person in ...
Exodus' promotional campaign kicked off with a mysterious teaser video on YouTube, featuring member, Kai, titled 'Pathcode: KAI', released on March 18, 2015. [6] At the time of the video's release, Exo launched a Twitter account with the username @PathcodeEXO which featured cryptic tweets such as mysterious riddles related to the videos published per member. [7]
The members of Exo faced criticism early in their careers because of their lack of involvement in the writing and producing of their songs. [170] However, in 2015, Exo released their first song to credit lyrics to one of the group's members on the repackaged version of their second album, Love Me Right. "Promise (Exo 2014)" was written by ...
"Unfair" debuted as number ten on Gaon Digital Chart, [6] and at number nine at Billboard's US World Digital songs. The song is the first K-pop song to be ranked in the Best of the Week curation playlist of US's Apple Music. [7]