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The musicologist Winton Dean has suggested that "music is probably the most difficult of the arts to criticise." [2] Unlike the plastic or literary arts, the 'language' of music does not specifically relate to human sensory experience – Dean's words, "the word 'love' is common coin in life and literature: the note C has nothing to do with breakfast or railway journeys or marital harmony."
For these critics, language is formed through a series of utterances that reflect specific conditions and goals of certain linguistic aspects. These aspects include thematic content, style, and compositional structure which form speech genres. Speech genres are diverse because of the various possibilities of human activity.
The psychology of music, or music psychology, is a branch of psychology, cognitive science, neuroscience, and/or musicology. It aims to explain and understand musical behaviour and experience , including the processes through which music is perceived, created, responded to, and incorporated into everyday life.
Music has been shown to consistently elicit emotional responses in its listeners, and this relationship between human affect and music has been studied in depth. This includes isolating which specific features of a musical work or performance convey or elicit certain reactions, the nature of the reactions themselves, and how characteristics of the listener may determine which emotions are felt.
This is a list of musical genres within the context of classical music, organized according to the corresponding periods in which they arose or became common. Various terms can be used to classify a classical music composition, mainly including genre, form, compositional technique and style.
—Recording engineer turned music psychologist Daniel Levitin talks about the psychology of music in an up tempo, informal, and personal way. Examples drawn from rock and related genres and the limited use of technical terms are two features of the book that make the book appealing to a wide audience.
As speech was taken as a model for music, composition and performance in the Baroque period were strongly influenced by rhetoric. According to what has become known as the theory of affect, a musician was expected to stir feelings in his audience in much the same way as an orator making a speech in accordance with the rules of classical ...
Philosophy of music is the study of "fundamental questions about the nature and value of music and our experience of it". [1] The philosophical study of music has many connections with philosophical questions in metaphysics and aesthetics.