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A 19th-century engraving of talaria. The Talaria of Mercury (Latin: tālāria) or The Winged Sandals of Hermes (Ancient Greek: πτηνοπέδῑλος, ptēnopédilos or πτερόεντα πέδιλα, pteróenta pédila) are winged sandals, a symbol of the Greek messenger god Hermes (Roman equivalent Mercury).
The English word sandal derives under influence from Middle French sandale from the Latin sandalium and is first attested in Middle English in the form sandalies. [1] [2] The Latin term derived from Greek sandálion (σανδάλιον), the diminutive of sándalon (σάνδαλον), of uncertain origin. [1]
The Latin word calceus derives from calx ("heel") and the usually Grecian suffix -eus, meaning essentially "heely" or "thing for the heel". It is frequently taken loosely as the general Latin word for any laced and covered shoe [1] distinguished from sandals, slippers, and boots. Theodor Mommsen even considered it to sometimes intend sandals as ...
From Wikipedia, the free encyclopedia. Redirect page
[1] [page needed] All ancient Greek clothing was made out of natural fibers. Linen was the most common fabric due to the hot climate which lasted most of the year. [4] [page needed] On the rare occasion of colder weather, ancient Greeks wore wool.
Kykeon, ancient Greek drink of various descriptions used at the climax of the Eleusinian Mysteries. Pneuma, a supernatural substance that is present in all souls and sustains life in all breathing living creatures. Thought of as giving cosmic energy through breath. One main components of the parts of the soul in ancient Greek medicine.
The Nike Fixing her Sandal (Ancient Greek: Νίκη Σανδαλίζουσα, romanized: Níkē Sandalízousa), also known as Nike Taking off her Sandal or Nike Sandalbinder, [2] is an ancient marble relief depicting Nike, the ancient Greek goddess of victory, in the process of fixing or removing the sandal of her right foot. [3]
For a while, there has been much debate over what the imagery of this statue is supposed to represent. There are many other uses of Greek sandal-related art found on cups, vases, and even on the friezes of the Parthenon. However, these versions all depict the subjects bending down with both arms stretched out to adjust or tie their sandals.
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