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"Bayan Ko" (usually translated as "My Country"; Spanish: Nuestra patria, lit. 'Our Motherland') is one of the most recognizable patriotic songs of the Philippines.It was written in Spanish by the revolutionary general José Alejandrino in light of the Philippine–American War and subsequent American occupation, and translated into Tagalog some three decades later by the poet José Corazón de ...
José Cecilio Corazón de Jesús y Pangilinan (November 22, 1894 – May 26, 1932), also known by his pen name Huseng Batute, was a Filipino poet who used Tagalog poetry to express the Filipinos' desire for independence during the American occupation of the Philippines, a period that lasted from 1901 to 1946.
Back to Me is the second album by Cueshé, released in August 2006. [1] It contains a cover version of the John Lennon song, "Jealous Guy". the music video of the carrier single "Back to Me" was premiered exclusively at MYX Music Channel on July 28, 2006.
Formed in 1998 in Cebu by Fritz Labrado, Jovan Mabini and Mike Manaloto, the word Cueshé is a portmanteau of "Cue", from banana cue; a snack delicacy in the Philippines, which are skewered bananas coated with caramel, and the pronoun "shé" (pronounced shay) is a reference to their former vocalist, which is a female (she) who joined in 1999.
Ruben Tagalog (October 17, 1922 – March 5, 1985) was a Filipino actor and musician, famous for his works in the kundiman style. He was also one of the founders of the singing group Mabuhay Singers.
In the late 1950s, native performers adapted Tagalog lyrics for North American rock & roll music, resulting in the seminal origins of Philippine rock. The most notable achievement in Philippine rock of the 1960s was the hit song "Killer Joe", which propelled the group Rocky Fellers , reaching number 16 on the American radio charts.
These albums include the songs Huling Balita (Last News), Martsa ng Bayan (March of the Nation), the lullaby Meme Na (Sleep Now) and Pitong Libong Pulo (Seven Thousand Islands). His themes and the Filipino lower-class characters in his songs evolved from the political and social realities during the decade of Marcos despotism in the 1970s.
The composer is said to have put subversive elements to Bagong Pagsilang, just like he did on his 1942 "Awit sa Paglikha ng Bagong Pilipinas". According to his eldest son on a lecture, the composer secretly quoted a portion of the protest song " Bayan Ko " in a part of the song.