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The enthusiasm doo-wop fans had for the Chords' music was dampened when Gem Records claimed that one of the groups on its roster was called the Chords; consequently the group changed their name to the Chordcats. [3] Their success was a one-off as subsequent releases, including "Zippity-Zum", all failed to chart. [3]
It was written by James Keyes, Claude Feaster, Carl Feaster, Floyd F. McRae, and William Edwards, members of the Chords, and was released in 1954. It is sometimes considered the first doo-wop or rock and roll record to reach the top ten on the pop charts (as opposed to the R&B charts), as it was a top-10 hit that year for both the Chords (who ...
James Elton Keyes (born June 16, 1944) is a former American football placekicker and linebacker who played two seasons with the Miami Dolphins of the National Football League (NFL). He played college football at Mississippi and was drafted by the Dolphins in the second round of the 1968 NFL/AFL Draft .
A signature song may be a song that spearheads an artist's initial mainstream breakthrough, a song that revitalizes an artist's career, or a song that simply represents a high point in an artist's career. Often, a signature song will feature significant characteristics of an artist and may encapsulate the artist's particular sound and style.
"You Don't Know My Name" was written by Alicia Keys, Kanye West and Harold Lilly for her second studio album, The Diary of Alicia Keys (2003), while production was overseen by Keys and West. [1] The song samples several portions from the 1975 song "Let Me Prove My Love to You" as performed by American soul and R&B group The Main Ingredient ...
Keys sampled the same loop of Hayes' song the Notorious B.I.G. sampled on his song "Warning", which was produced by Easy Mo Bee, who co-produced Keys' version. Keys would later record a full version of the song for her first live album Unplugged (2005); it received a nomination for Best Traditional R&B Vocal Performance at the 2006 Grammy ...
A tribute to the singer and songwriter.
In music theory, the key of a piece is the group of pitches, or scale, that forms the basis of a musical composition in Western classical music, art music, and pop music. Tonality (from "Tonic") or key: Music which uses the notes of a particular scale is said to be "in the key of" that scale or in the tonality of that scale. [1]
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