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Mask from Gabon Two Chiwara c. late 19th early 20th centuries, Art Institute of Chicago.Female (left) and male, vertical styles. Most African sculpture was historically in wood and other organic materials that have not survived from earlier than at most a few centuries ago; older pottery figures are found from a number of areas.
Measuring about 48-55 centimeters in height, ndop were carved in hardwood and anointed with palm oil to protect them from insects, which is unique in African art and underscores their survival in Western collections today. Ndop sculptures depict subjects sitting cross-legged, a posture that is equally unique in African sculpture.
Wooden Door (Ilekun) with carved motifs Iron and wood staff (Opa Orisha Oko); 19th century; Brooklyn Museum. The Orí-Inú, or the inner spiritual head, is very important to the Yoruba people. One's Orí-Inú is very important in terms of existing in the world. The priority goes to the Orí for any household. Thus, shrines are built in the houses.
Igbo doors are delicately carved with deeply cut abstract designs in striated and hatched patterns that catch the sunlight to produce high contrasts of light and shadow. [16] The carved wooden doors establish the boundary between the inner space of the structure and the area outside.
Makonde art is an integration of dated practices of woodwork met with a demand of woodcarving of the modernized world. After the introduction of road systems in the plateaus between Tanzania and Mozambique by Portuguese troops during World War I, the traditional sense of the practice began to shift to meet new social and economical demands. [3]
Masks are often carved of the wood of Ceiba pentandra, the faux kapokier. They are carved in three major styles that correspond to the styles of the ancient people who were conquered in 1500 by the invading Nakomse and integrated into a new Mossi society: In the north masks are vertical planks with a round concave or convex face.
Measuring about 48-55 centimeters in height, ndops are carved of hardwood, which is unusual in African art, and they are in a posture that is equally rare in African sculpture. Each sits crosslegged on a square base from which a small wooden object projects. The figures' identities can be determined according to these emblematic objects.
In some carvings the bishop appears as a witch doctor (native to 19th century east African culture). The pawn is carved in the style of an ordinary Makonde tribesman. Makonde chess sets are usually carved from african blackwood, known as mpingo (the black pieces) and a kind of rosewood (the white pieces). Chess sets of this style are still ...