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This collection explores an array of themes connected to Black American life. Many of the included works contain elements of social criticism and messages of anti-racism. All but one were written in the early 1970s a "a socially and politically dynamic moment in the nation's history and a renaissance decade for black theater." [2]
A Madea Christmas (musical play) Madea Gets a Job; Madea Goes to Jail (play) Madea's Big Happy Family; Madea's Class Reunion; Madea's Family Reunion (play) Marilyn and Ella; The Marriage Counselor; Meet the Browns (play) The Mighty Gents; The Mountaintop; A Movie Star Has To Star in Black and White
Cook's Clorindy, or The Origin of the Cake Walk, an hour-long sketch that was the first all-black show to play in a prestigious Broadway house, Casino Theatre's Roof Garden. Cole's A Trip to Coontown was the first full-length New York musical comedy written, directed and performed exclusively by blacks. The approach of the two composers were ...
Shaffer wrote White Lies to precede the 1967 Broadway production of his farce Black Comedy, presented by Alexander H. Cohen at the Ethel Barrymore Theatre. [2] But Shaffer was dissatisfied with the piece. As he put it in his Preface to his 1982 Collected Plays, "The dramatic pulse was too low, and the work came out a little mechanically." [3]
Using the framework of a play within a play, it exposes racial prejudice and stereotypes while exploring black identity. As a troupe of black actors re-enact the trial and ensuing murder of a white woman before a kangaroo court, the Queen and her entourage look on and comment. Five of the 13 black actors don Whiteface to play establishment ...
When W. E. B. Du Bois saw a production of the Negro Players performing Ridgely Torrence's Three Plays for a Negro Theater in 1917, it influenced him to write, "The present spiritual production in the souls of Black folk is going to give American stage a drama that will lift it above silly songs and leg shows."
Driving Miss Daisy is a play by American playwright Alfred Uhry, about the relationship of an elderly Southern Jewish woman, Daisy Werthan, and her African-American chauffeur, Hoke Coleburn, from 1948 to 1973. The play was the first in Uhry's Atlanta Trilogy, which deals with
African American literature is the body of literature produced in the United States by writers of African descent. Olaudah Equiano (c. 1745–1797) was an African man who wrote The Interesting Narrative of the Life of Olaudah Equiano, an autobiography published in 1789 that became one of the first influential works about the transatlantic slave trade and the experiences of enslaved Africans.