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Marie Zieu Chino (1907–1982) was a Native American potter from Acoma Pueblo, New Mexico. Marie and her friends Lucy M. Lewis and Jessie Garcia are recognized as the three most important Acoma potters during the 1950s. Along with Juana Leno, they have been called "The Four Matriarchs" who "revived the ancient style of Acoma pottery."
Lewis's pottery is made from that same traditional Acoma gray clay body, and formed by hand using traditional coiling methods. To an untrained eye, pots formed using the coil method do not look much different from pots thrown on a wheel --but the difference is in the pace of creation; it can take many weeks to build a pot this way. [ 8 ]
Traditional Acoma religion stresses harmony between life and nature. The Sun is a representative of the Creator deity. Mountains surrounding the community, the Sun above, and the Earth below help to balance and define the Acoma world. Traditional religious ceremonies may revolve around the weather, including seeking to ensure healthy rainfall.
Pottery mound polychrome ware was often slipped with a different color on the inside of the vessel than on the exterior. [29] It was then decorated with various mineral paints before firing, in red, black and ochres. Ceramics found at Pottery mound was not only produced there, but imported from as far away as Hopi, Acoma and Zuni lands. [30] [31]
Acoma pottery, beginning over 1,000 years ago, traditional designs include thunderbirds, geometric patterns, and rainbows. [16] The pottery is made of fine local clay found on the pueblo to create the distinctively thin-walled pottery. The pottery is made in white and black and polychrome colors.
Garcia was born on the Acoma Pueblo in New Mexico, and is one of nine children born to Acoma potter and matriarch Lucy M. Lewis, who taught many of her children the traditional pottery-making process rooted in their ancient tradition, [3] including potters Anne Lewis Hansen, Mary Lewis Garcia, Emma Lewis Mitchell, Drew Lewis, and Carmel Lewis.
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