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Photographic lighting refers to how a light source, artificial or natural, illuminates the scene or subject that is photographed; put simply, it is lighting in regards to photography. Photographers can manipulate the positioning and the quality of a light source to create visual effects , potentially changing aspects of the photograph such as ...
Light painting inside an abandoned limestone quarry in France. Light painting, painting with light, light drawing, light art performance photography, or sometimes also freezelight are terms that describe photographic techniques of moving a light source while taking a long-exposure photograph, either to illuminate a subject or space, or to shine light at the camera to 'draw', or by moving the ...
A typical problem with cameras using built-in flash units is the low intensity of the flash; the level of light produced will often not suffice for good pictures at distances of over 3 metres (10 ft) or so. Dark, murky pictures with excessive image noise or "grain" will result. In order to get good flash pictures with simple cameras, it is ...
Series of images demonstrating a six-image focus bracket of a Tachinid fly. First two images illustrate typical DOF of a single image at f/10 while the third image is the composite of six images. Focus stacking (for extended depth of field) in bright field light microscopy. This example is of a diatom microfossil in diatomaceous earth. Three ...
The solar camera, employing the focussed light of the sun, addressed the problem in a repurposing of the solar microscope [6] by American portrait artist David Acheson Woodward in 1857, [7] and others, before being superseded by enlargers employing artificial light sources from the 1880s. Life-size portraits made by this means were hand ...
Hemispherical photograph used to study microclimate of winter roosting habitat at the Monarch Butterfly Biosphere Reserve, Mexico.. Hemispherical photography, also known as canopy photography, is a technique to estimate solar radiation and characterize plant canopy geometry using photographs taken looking upward through an extreme wide-angle lens or a fisheye lens (Rich 1990).
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A card or other opaque object is held between the enlarger lens and the photographic paper in such a way as to block light from the portion of the scene to be lightened. Since the technique is used with a negative-to-positive process, reducing the amount of light results in a lighter image.