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WROR-FM (105.7 FM) – branded as 105.7 WROR – is a commercial classic hits radio station licensed to Framingham, Massachusetts. Owned by the Beasley Broadcast Group , the station serves Greater Boston and much of surrounding New England , including portions of the Portsmouth and Providence radio markets.
J.J. Wright is an American disc jockey, originally from Louisville, Kentucky, who has been broadcasting in Boston, Massachusetts since 1973. [1] Starting on WRKO (680-AM), he went to briefly to WBOS (92.9), then KISS 108 when the station first went on the air in 1979, there he stayed for nearly 20 years. [2]
Former logo until 2024. The station was originally owned by K-Rock 105.7 Inc., consisting of John P. Wright (60%), Douglas Kirk (15%), and Rogers Radio (25%). [1] The same ownership group also launched CKXC-FM in early 2008, and formerly operated WLYK in the nearby American community of Cape Vincent, New York through a local marketing agreement.
WBOS (92.9 MHz, "Bloomberg 92.9") is a commercial FM radio station licensed to Brookline, Massachusetts, and serving Greater Boston.WBOS is owned by Beasley Broadcast Group, with studios and offices in Waltham.
A in Mendoza; Cadena norte in Jesús María, Córdoba; Cien in Villa Carlos Paz, Córdoba; Ciudad in Bahía Blanca, Buenos Aires; Corazón Disco in Buenos Aires; Diagonal in Machagai, Chaco
WUBG (1570 kHz) is a Spanish Latin pop and reggaeton, and regional Mexican station licensed to serve Methuen, Massachusetts.It has an FM translator, W287CW, at 105.3 MHz. The station is called "La Pante
WQXA-FM is extremely short-spaced to WJZ-FM 105.7 The Fan (licensed to serve Catonsville, Maryland and targeting the Baltimore metropolitan area) as they operate on the same channel and the distance between the stations' transmitters is 47 miles (76 km) as determined by FCC rules. [12]
WROL's history dates back to 1927 [1] and WBSO, owned by Babson College.The station moved to Boston in 1935 after a sale and became WORL. [4] During the late 1930s, WORL was the first station in Boston to adopt a popular-music format ("The 920 Club", named after the station's former frequency; the title remained even after the move to 950 on March 29, 1941) with disc jockeys spinning the tunes.