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Korg N5: The N5 was introduced as a keyboard version of the Korg NS5R sound module [31] without expansion slot. Korg N1/N1R: The N1 is an 88-key (piano-action) synthesizer. It is the expanded version of the N5 with a larger sample ROM [32] for more AI2 voices and drum kits. In addition to the Korg voices, it provides full support for GM, GS and XG.
The Korg N264 and N364 keyboards were 76- and 61-key (respectively) music workstation synthesizers based on the AI2 (Advanced Integrated System) [2] synthesis engine, with eight megabytes of sample rom first released in 1996. They have 936 programs and combinations, featuring 430 Multisounds and 215 Drum sounds.
The Korg Triton is a music workstation synthesizer, featuring digital sampling and sequencing, released in 1999. [1] [2] [3] It uses Korg's "HI (Hyper Integrated) Synthesis" system and was eventually available in several model variants with numerous upgrade options. The Triton became renowned as a benchmark of keyboard technology, and has been ...
Magna Organ introduced in 1935, [7] [8] was a multi-timbral keyboard instrument invented in 1934 by a Yamaha engineer, Sei-ichi Yamashita. It was a kind of electro-acoustic instrument, an acoustic instrument with additional electronic circuits for sound modification.
The two primary synthesis concepts designed into the Wavestation were Wave Sequencing and vector synthesis, the latter Korg dubbed "Advanced Vector Synthesis".Although the Korg Wavestation was the first keyboard that used Wave Sequencing, its roots can be traced back to the preceding variations of wavetable-lookup synthesis, including the multiple-wavetable synthesizers [6] realized as PPG ...
The Korg KARMA music workstation was released in 2001 as a specialised member of the Korg Triton family. KARMA stands for Kay's Algorithmic Real-time Music Architecture. [5] [6] The unit features up to 62 note polyphony [7] and is 16-part multitimbral. Its sound engine is based on the Korg Triton workstation, [8] although it has fewer features. [9]
The Korg X3 was introduced as a successor to the popular Korg M1 and 01/W models, utilizing an enhanced version of the AI2 synthesis engine from the 01/W. Unlike its predecessors, the X3 featured a General MIDI soundset but omitted the 01/W's waveshaping feature, replacing it with a parameter called 'colour', which functioned as an enhancer designed to simulate filter resonance.
The Korg Kaossilator Pro. Korg unveiled the Kaossilator Pro on 14 January 2010 at the NAMM Show. [7] The device has a metal casing similar to the Kaoss Pad 3 (KP3), but its touchpad (divided into an 8×8 grid of rectangles) is back-lit with green lights instead of the KP3's red lights. The larger pad makes it easier to hit specific notes ...