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The Miracle of Bern (German: Das Wunder von Bern) is a 2003 film by Sönke Wortmann, which tells the story of a German family (particularly of a young boy and his depressed ex-POW father) and the unexpected West German miracle victory in the 1954 World Cup Final in Bern, Switzerland. The film can be regarded as a portrait of post-war Germany.
Head Full of Honey (German: Honig im Kopf; lit.: Honey in the Head) is a 2014 German drama film directed by Til Schweiger. [3] It was one of eight films shortlisted by Germany to be their submission for the Academy Award for Best Foreign Language Film at the 88th Academy Awards, [4] but it lost out to Labyrinth of Lies.
This page was last edited on 3 February 2025, at 00:55 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
First of the Kommissar X film series. West German-Italian-Yugoslav co-production Kommissar X – Drei gelbe Katzen: Rudolf Zehetgruber: Tony Kendall, Brad Harris, Ann Smyrner: Eurospy Thriller: a.k.a. Death Is Nimble, Death Is Quick. Kommissar X film. West German-Italian-Austrian-French co-production Kommissar X – In den Klauen des goldenen ...
No pronunciarás el nombre de Dios en vano (1999) La Perversa caricia de Satán (1975) Armenia ... European film at the Internet Movie Database;
The German version ended up in the film but the English version is available on an international version of the soundtrack. The title-song "Garden Of Growing Hearts" was performed by Berlin band Empty Trash. The original film score was composed by Heiko Maile, a member of the band Camouflage. "Intro" – Jürgen Vogel & Tim Oliver Schultz
Following the stories of couples and their sexual encounters, 360 was selected to open the 2011 London Film Festival. Magnolia Pictures released the film on video on demand on 29 June 2012 and was released in United States theaters on 3 August 2012. The film reunited Weisz and director Meirelles, who worked together on The Constant Gardener.
The film arose in a time where there was no national film censorship in Germany. The film was premiered on May 28, 1919 in a special performance at the Berlin Apollo-Theater and then on May 30, 1919 at the Prinzeß-Theater. The film started out with 40 prints, which was a high number for the time and was initially successful. [5]
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