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A sleeve tattoo or tattoo sleeve is a large tattoo or collection of smaller tattoos that covers most or all of a person's arm. There is a difference between an arm covered in tattoos and a sleeve tattoo: a sleeve tattoo has a unified theme, whereas an arm covered in tattoos may have many tattoos of different styles that does not have an overall ...
Over the past few years, finger tattoos have risen in popularity. Small and cute, they are the perfect way to subtly reflect your personality. Despite their size, these tiny masterpieces offer a ...
Because they possess two ways of reading, ambigram tattoos inked on the skin benefit from a "mind-blowing" effect. On the arm, sleeve tattoos flip upside-down, on the back or jointly on two wrists they are more striking with a mirror symmetry. A large range of scripts and fonts is available.
A tattoo is a form of body modification made by inserting tattoo ink, dyes, and/or pigments, either indelible or temporary, into the dermis layer of the skin to form a design. Tattoo artists create these designs using several tattooing processes and techniques , including hand-tapped traditional tattoos and modern tattoo machines .
The custom was first recorded in the 16th century but is believed to date back much further. The tattoos could represent pride in being a woman, beauty, and protection. [4] They were associated with rites of passage for women and could indicate marital status. The motifs and shapes varied from island to island.
Irezumi (入れ墨, lit. ' inserting ink ') (also spelled 入墨 or sometimes 刺青) is the Japanese word for tattoo, and is used in English to refer to a distinctive style of Japanese tattooing, though it is also used as a blanket term to describe a number of tattoo styles originating in Japan, including tattooing traditions from both the Ainu people and the Ryukyuan Kingdom.
Peʻa, Samoan male tattoo. The Peʻa is the popular name of the traditional male tatau of Samoa, also known as the malofie. [1] It is a common mistake for people to refer to the pe'a as sogaimiti, because sogaimiti refers to the man with the pe'a and not the pe'a itself.
The original design was enhanced and improved upon by me. I had provided the directions like the colour in which the calligraphy will appear. The technical work was carried out by my friend Ajit Sawant in the year 1998. The image lacked a sharpness to it, which was later provided to it by Shyam Shingare, again under my supervision in 2003.
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