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The theory of art is also impacted by a philosophical turn in thinking, not only exemplified by the aesthetics of Kant but is tied more closely to ontology and metaphysics in terms of the reflections of Heidegger on the essence of modern technology and the implications it has on all beings that are reduced to what he calls 'standing reserve ...
Aloysius Patrick Martinich (born June 28, 1946), usually cited as A. P. Martinich, also Al Martinich, [1] is an American analytic philosopher.He is the Roy Allison Vaughan Centennial Professor Emeritus in Philosophy at University of Texas at Austin.
Venus de Milo, at the Louvre. Art history is, briefly, the history of art—or the study of a specific type of objects created in the past. [1]Traditionally, the discipline of art history emphasized painting, drawing, sculpture, architecture, ceramics and decorative arts; yet today, art history examines broader aspects of visual culture, including the various visual and conceptual outcomes ...
Arthur Coleman Danto (January 1, 1924 – October 25, 2013) was an American art critic, philosopher, and professor at Columbia University.He was best known for having been a long-time art critic for The Nation and for his work in philosophical aesthetics and philosophy of history, though he contributed significantly to a number of fields, including the philosophy of action.
Concluding Unscientific Postscript to the Philosophical Fragments is a sequel to the earlier Philosophical Fragments. Despite the title of the work, Postscript is almost five times larger than the original work. The pseudonym "Johannes Climacus" is credited as the author and Kierkegaard as an editor.
Porphyry makes note that the Enneads, before being compiled and arranged by himself, were merely the enormous collection of notes and essays which Plotinus used in his lectures and debates, rather than a formal book. Plotinus was unable to revise his own work due to his poor eyesight, yet his writings required extensive editing, according to ...
The history of art focuses on objects made by humans for any number of spiritual, narrative, philosophical, symbolic, conceptual, documentary, decorative, and even functional and other purposes, but with a primary emphasis on its aesthetic visual form.
In Georg Wilhelm Friedrich Hegel's system of philosophy art is viewed as the first stage of the absolute spirit. (See also Werke, Bd. x., and Bosanquet's Introduction to Hegel's Philosophy of Fine Art.). In this stage the absolute is immediately present to sense-perception, an idea which shows the writer's complete rupture with Kant's doctrine ...
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