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Celtic knots ( Irish: snaidhm Cheilteach, Welsh: cwlwm Celtaidd, Cornish: kolm Keltek, Scottish Gaelic: snaidhm Ceilteach) are a variety of knots and stylized graphical representations of knots used for decoration, used extensively in the Celtic style of Insular art. These knots are most known for their adaptation for use in the ornamentation ...
Interlaced triquetra which is a trefoil knot. The triquetra ( / traɪˈkwɛtrə / try-KWEH-truh; from the Latin adjective triquetrus "three-cornered") is a triangular figure composed of three interlaced arcs, or (equivalently) three overlapping vesicae piscis lens shapes. It is used as an ornamental design in architecture, and in medieval ...
Luckenbooth brooch. A Luckenbooth brooch is a Scottish heart-shaped brooch. These brooches often have a crown above one heart, or two intertwined hearts. They are typically made of silver and may be engraved or set with stones. The name comes from the Luckenbooths of Edinburgh, where jewellery and trinkets used to be sold, including this type ...
Neolithic triple-spiral symbol. Look up triskelion in Wiktionary, the free dictionary. A triskelion or triskeles is an ancient motif consisting either of a triple spiral exhibiting rotational symmetry or of other patterns in triplicate that emanate from a common center. The spiral design can be based on interlocking Archimedean spirals, or ...
Claddagh ring. Claddagh ring. A Claddagh ring ( Irish: fáinne Chladaigh) is a traditional Irish ring in which a heart represents love, the crown stands for loyalty, and two clasped hands symbolize friendship. [ 1][ 2] The design and customs associated with it originated in Claddagh, County Galway. Its modern form was first produced in the 17th ...
Celtic art. The reverse side of a British bronze mirror, 50 BC – 50 AD, showing the spiral and trumpet decorative theme of the late "Insular" La Tène style. Muiredach's High Cross, Ireland, early 10th century. Celtic art is associated with the peoples known as Celts; those who spoke the Celtic languages in Europe from pre-history through to ...
The tattoo designs were based on the belief that people were part of the larger cycle of life and integrated elements of the land, sky, water, and the space in between to symbolize these beliefs. [ 35 ] : 222–228 In addition, the Osage People believed in the smaller cycle of life, recognizing the importance of women giving life through ...
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