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The English suffixes -phobia, -phobic, -phobe (from Greek φόβος phobos, "fear") occur in technical usage in psychiatry to construct words that describe irrational, abnormal, unwarranted, persistent, or disabling fear as a mental disorder (e.g. agoraphobia), in chemistry to describe chemical aversions (e.g. hydrophobic), in biology to describe organisms that dislike certain conditions (e.g ...
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The collection is made up of five sections: a preface by Reni Eddo-Lodge, an introduction by Sara Ahmed, 13 essays, 17 poems, and a Note on the Text. As the Note on the Text states, many of the essays in the collection were given as papers at conferences across the U.S. The essays were all previously published in Lorde's 1984 book Sister ...
A phobia is an anxiety disorder, defined by an irrational, unrealistic, persistent and excessive fear of an object or situation. [7] [8] [9] [1] Phobias typically result in a rapid onset of fear and are usually present for more than six months. [1]
Freedom from fear is listed as a fundamental human right according to The Universal Declaration of Human Rights, adopted in 1948. On January 6, 1941, United States President Franklin D. Roosevelt called it one of the " Four Freedoms " at his State of the Union , which was afterwards therefore referred to as the "Four Freedoms speech". [ 1 ]
Powers of Horror: An Essay on Abjection (French: Pouvoirs de l'horreur. Essai sur l'abjection) is a 1980 book by Julia Kristeva.The work is an extensive treatise on the subject of abjection, [1] in which Kristeva draws on the theories of Sigmund Freud and Jacques Lacan to examine horror, marginalization, castration, the phallic signifier, the "I/Not I" dichotomy, the Oedipal complex, exile ...
Fear is a psychological thriller-horror novella by American writer L. Ron Hubbard, which first appeared in the magazine Unknown Fantasy Fiction in July 1940. Summary [ edit ]
Stage fright or performance anxiety is the anxiety, fear, or persistent phobia that may be aroused in an individual by the requirement to perform in front of an audience, real or imagined, whether actually or potentially (for example, when performing before a camera). Performing in front of an unknown audience can cause significantly more ...