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The definition of Mannerism, and the phases within it, continues to be the subject of debate among art historians. Northern or Antwerp Mannerism predates and is distinct from Italian Mannerism. Antwerp during its 16th-century boom produced a style that was the last phase of Early Netherlandish painting with Early Renaissance elements.
In psychology, the Eysenck Personality Questionnaire (EPQ) is a questionnaire to assess the personality traits of a person. It was devised by psychologists Hans Jürgen Eysenck and Sybil B. G. Eysenck. [1] Hans Eysenck's theory is based primarily on physiology and genetics. Although he was a behaviorist who considered learned habits of great ...
A giant of early 20th century art, whose glamorous figurative paintings of women played an important role in defining Art Deco, is now the subject of her first-ever U.S. retrospective, currently ...
In the philosophy of art, an interpretation is an explanation of the meaning of a work of art. [a] An aesthetic interpretation expresses a particular emotional or experiential understanding most often used in reference to a poem or piece of literature, and may also apply to a work of visual art or performance. [1]
14th-century Islamic ornament in ivory, centred on a palmette; Alois Riegl's Stilfragen (1893) traced the evolution and transmission of such motifs.. Classical art criticism and the relatively few medieval writings on aesthetics did not greatly develop a concept of style in art, or analysis of it, [12] and though Renaissance and Baroque writers on art are greatly concerned with what we would ...
Primitivism in art is usually regarded as a cultural phenomenon of Western art, yet the structure of primitivist idealism is in the art works of non-Western and anti-colonial artists. The nostalgia for an idealized past when humans lived in harmony with Nature is related to critiques of the negative cultural impact of Western modernity upon ...
Composition can apply to any work of art, from music through writing and into photography, that is arranged using conscious thought. In the visual arts, composition is often used interchangeably with various terms such as design, form, visual ordering, or formal structure, depending on the context.
The variety which causes a beautiful experience should, so to speak, be tempered by simplicity. On the other hand: simplicity without variety at best does only not displease. Intricacy is a strange principle in that it does not directly follow from the formal behaviour of a beautiful object.