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"C'mon N' Ride It (The Train)" is a song by American Florida-based musical group Quad City DJ's, released in February 1996 as a single from their debut album, Get On Up and Dance (1996). It is based on a sample of Barry White 's 1974 main theme from soundtrack to the film Together Brothers .
Quad City DJ's is an American music group originally consisting of Jay Ski (Johnny McGowan), C.C. Lemonhead (Nathaniel Orange), and JeLana LaFleur who recorded the 1996 hit "C'mon N' Ride It (The Train)", a rap-remix of Barry White's 1974 "Theme from Together Brothers".
"C'mon Let Me Ride" is a song by American singer Skylar Grey, released December 11, 2012 as the first single from her major-label debut album Don't Look Down (2013). The song, produced by frequent collaborator and longtime producer Alex da Kid and Mike Del Rio , features a guest appearance from American rapper Eminem , who also mixed the record.
Jock Jams, Volume 3 was the third album in the Jock Jams compilation album series.. It contained the single "The Jock Jam" (or "ESPN Presents the Jock Jam"), which peaked at #31 on the U.S. Billboard Hot 100 and was certified gold by the RIAA for sales of over 500,000 copies.
C+C Music Factory: 4:03: 2. "C'mon Ride It (The Train)" Quad City DJ's: 4:01: 3. "It Takes Two" Rob Base & DJ E-Z Rock: 3:31: 4. "Bust a Move" Young MC: 4:23: 5. "U Can't Touch This" MC Hammer: 4:12: 6. "Push It" Salt-n-Pepa: 4:15: 7. "Rump Shaker" Wreckx-n-Effect: 3:55: 8. "Humpin' Around" Bobby Brown: 4:20: 9. "Real Love" Jody Watley: 4:17: ...
Billboard gave a positive review of the song: "Didn't get enough of 'C'mon N' Ride It (The Train)'? Here ya go ... a fitting sequel to that hit. The act hits a lot of the same marks, rattling a booty-bass beat and contagious chants. The added glow of its connection to the successful film 'Space Jam' only adds to the single's programming allure.
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Containing elements of pop rap, "C'Mon" is a techno-pop, bubblegum pop, and dance song with brash lyrics that center on partying and falling in love. Stylistically, the song follows a verse-chorus pattern typical in pop music, with Kesha adding traditional singing in the latter and the discordant enunciation and stresses of vowels to force ...