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It was a beautiful morning. The City, St pauls, with the River & a multitude of little Boats, made a most beautiful sight as we crossed Westminster Bridge. The houses were not overhung by their cloud of smoke & they were spread out endlessly, yet the sun shone so brightly with such a pure light that there was even something like the purity of ...
English literature is literature written in the English language from the English-speaking world. The English language has developed over more than 1,400 years. [1] The earliest forms of English, a set of Anglo-Frisian dialects brought to Great Britain by Anglo-Saxon settlers in the fifth century, are called Old English.
As a concentrated, concise form of narrative and descriptive prose fiction, the short story has been theorised about through the traditional elements of dramatic structure: exposition (the introduction of setting, situation, and main characters), complication (the event that introduces the conflict), rising action, crisis (the decisive moment ...
Epiphany in literature refers generally to a visionary moment when a character has a sudden insight or realization that changes their understanding of themselves or their comprehension of the world. The term has a more specialized sense as a literary device distinct to modernist fiction. [ 1 ]
In the latest episode of "The Envelope" video podcast, director Coralie Fargeat explains how she prepared star Demi Moore to film "The Substance" and "The Brutalist" filmmaker Brady Corbet ...
A view of the Roman Campagna from Tivoli, evening by Claude Lorrain, 1644–1645. Picturesque is an aesthetic ideal introduced into English cultural debate in 1782 by William Gilpin in Observations on the River Wye, and Several Parts of South Wales, etc. Relative Chiefly to Picturesque Beauty; made in the Summer of the Year 1770, a practical book which instructed England's leisured travellers ...
He says that the beautiful in nature is not quantifiable, but rather focused only in color, form, surface, etc. of an object. Therefore, the beautiful is to be "regarded as a presentation of an indeterminate concept of understanding." However, to Kant, the sublime is more infinite and can be found even in an object that has no form.
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