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The Clavier-Übung III, sometimes referred to as the German Organ Mass, is a collection of compositions for organ by Johann Sebastian Bach, started in 1735–36 and published in 1739. It is considered Bach's most significant and extensive work for organ, containing some of his most musically complex and technically demanding compositions for ...
Partita No. 5 from Clavier-Übung I: G maj. Keyboard 3: 102 V/1: 72 00967: 830 8. 1725–1730 Notebook A. M. Bach No. 2 = Partita No. 6 from Clavier-Übung I: E min. Keyboard 3: 116 V/1: 90 V/4: 60 after BWV 1019a/3 /5 00968: 831 8. 1733–1735 Overture in the French style (Clavier-Übung II No. 2) B min. Harpsichord 3: 154 V/2: 20 after BWV ...
Compositions by Johann Sebastian Bach printed during his lifetime (1685–1750) include works for keyboard instruments, such as his Clavier-Übung volumes for harpsichord and for organ, and to a lesser extent ensemble music, such as the trio sonata of The Musical Offering, and vocal music, such as a cantata published early in his career.
Clavier-Übung II, for harpsichord with two manuals, contains the Italian Concerto, BWV 971 and the Overture in the French style, BWV 831, and was published in 1735; Clavier-Übung III, for organ, contains the Prelude and Fugue in E flat major, BWV 552, 21 chorale preludes, BWV 669–689, and the Four Duets, BWV 802–805, and was published in 1739
Keyboard partita in A minor, BWV 827. This is the third partita from Bach's set of Partitas for keyboard BWV 825–830, which was published in 1731 as the first volume of Clavier-Übung. Keyboard partita in E minor, BWV 830. This is the sixth partita from Bach's set of Partitas for keyboard BWV 825–830. Minuet in F major, BWV Anh. 113.
Clavier-Übung, in more modern spelling Klavierübung, is German for "keyboard exercise". In the late 17th and early 18th centuries this was a common title for keyboard music collections: first adopted by Johann Kuhnau in 1689, [ 1 ] [ 2 ] the term later became mostly associated with Johann Sebastian Bach 's four Clavier-Übung publications .
The tonalities of the six Partitas (B ♭ major, C minor, A minor, D major, G major, E minor) may seem to be random, but in fact they form a sequence of intervals going up and then down by increasing amounts: a second up (B ♭ to C), a third down (C to A), a fourth up (A to D), a fifth down (D to G), and finally a sixth up (G to E). [5]
Portrait of Johann Sebastian Bach. The English Suites, BWV 806–811, are a set of six suites written by the German composer Johann Sebastian Bach for harpsichord (or clavichord) and generally thought to be the earliest of his 19 suites for keyboard (discounting several less well-known earlier suites), the others being the six French Suites (BWV 812–817), the six Partitas (BWV 825-830) and ...
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