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Tybalt (/ ˈ t ɪ b ə l t /) is a character in William Shakespeare's play Romeo and Juliet. He is the son of Lady Capulet's brother, Juliet 's short-tempered first cousin, and Romeo 's rival. Tybalt shares the same name as the character Tibert / Tybalt "the prince of cats" in the popular story Reynard the Fox , a point of mockery in the play.
Tybalt, a kinsman of the Capulets and cousin to Juliet, is dueling with Mercutio, a friend of Romeo from the Montague family. Romeo and Benvolio attempt to break up the fight. Mercutio, distracted, does not see his opponent and is fatally wounded by Tybalt under Romeo's arm. Feeling his death approaching, Mercutio declares:
William Shakespeare's play Romeo and Juliet, set in Verona, Italy, features the eponymous protagonists Romeo Montague and Juliet Capulet.The cast of characters also includes members of their respective families and households; Prince Escalus, the city's ruler, and his kinsman, Count Paris; and various unaffiliated characters such as Friar Laurence and the Chorus.
In Romeo and Juliet, Shakespeare employs several dramatic techniques that have garnered praise from critics, most notably the abrupt shifts from comedy to tragedy (an example is the punning exchange between Benvolio and Mercutio just before Tybalt arrives).
When Mercutio sees Romeo the next day, he is glad to see that his friend is his old self again, and he encourages Romeo, all the while making bawdy jokes at the expense of Juliet's Nurse. After Romeo receives a death threat from Juliet's cousin Tybalt, Mercutio expects Romeo to engage Tybalt in a duel. However, Romeo refuses to fight Tybalt ...
Romeo now regards Tybalt as family and he refuses to fight him, which leads Romeo's best friend, Mercutio, to fight Tybalt instead. Despite Romeo's efforts to stop the fight, Tybalt mortally wounds Mercutio, who curses both the Montague and Capulet houses before dying. Enraged over his friend's death, Romeo retaliates by fighting Tybalt and ...
John Leguizamo as Tybalt in Romeo + Juliet (1996). He outshone every other actor in any scene he was in. And compared to the utterly wooden performances of DiCaprio and Danes, it was a stark contrast.
A mock-Victorian revisionist version of Romeo and Juliet ' s final scene forms part of the 1980 stage-play The Life and Adventures of Nicholas Nickleby. This version has a happy ending: Romeo, Juliet, Mercutio and Paris are restored to life, and Benvolio reveals he is Paris' love, Benvolia, in disguise. [16]