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The band's breakthrough came with the video for the song “Sumetskaya”, featuring Russian fist fighters. [5] In 2015, “Sumetskaya” reached the No. 1 position on World Music Network ’s February Video Chart, and had been viewed more than 12 million times on YouTube [ 4 ] - a number that reached 14 million in 2018, setting the record as ...
Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Do not translate text that appears unreliable or low-quality.
This two-person dance form has the man performing as the bullfighter and the woman as the cape. [9] It is known as one of the fastest Latin ballroom dances because dancers make around 120 to 130 beats/steps per minute. Flamenco-like qualities infuse the dance as the man and woman challenge each other. Amparito Roca being played by a wind band
Cage The Elephant – After one of their shows, a mentally ill man approached frontman Matt Shultz, hugged him and said "you have to cage the elephant".; Cake – Rather than referring to the foodstuff, the name is meant to be "like when something insidiously becomes a part of your life...[we] mean it more as something that cakes onto your shoe and is just sort of there until you get rid of it".
Rüfüs Du Sol (stylised in all caps) is an Australian alternative dance group from Sydney, that consists of Tyrone Lindqvist, Jon George and James Hunt. [1]The band was known simply as Rüfüs (stylised in all caps) from their inception until January 2014, before changing their name to Rüfüs Du Sol – exclusively in the United States – to avoid confusion with existing funk band Rufus. [2]
This meant that they had to write the music and the dance at the same time, rather than compose the dance to already existing music. De Mey's only prior experience of making music was as a guitar player with a rock band, and de Keersmaeker had choreographed Asch and Fase. De Keersmaker has stated that the most important connotation of the name ...
In ballet, the corps de ballet ([kɔʁ də balɛ]; French for "body of the little dance") is the group of dancers who are not principal dancers or soloists. They are a permanent part of the ballet company and often work as a backdrop for the principal dancers.
Later he directed a band in the ducal place, with 82 participants of the high nobility, with allegorical and mythological subjects. These dances are performed by a variable number of performers; We met a couple, a trio, two ladies and two gentlemen, three couples, four gentlemen and four ladies and an indefinite number of artists.