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Jesu, nun sei gepreiset (Jesus, now be praised), [1] BWV 41, [a] is a church cantata by Johann Sebastian Bach. He composed it in Leipzig for New Year's Day and first performed it on 1 January 1725. It is based on the hymn of the same name that Johannes Hermann wrote for the same occasion, published in 1591.
It consists of two IV chord progressions, the second a whole step lower (A–E–G–D = I–V in A and I–V in G), giving it a sort of harmonic drive. There are few keys in which one may play the progression with open chords on the guitar, so it is often portrayed with barre chords ("Lay Lady Lay").
One of the last pieces he entered, likely around the time when moving to Bitterfeld (1735–1736), was a Suite by Petzold containing, together with eight other movements, the G major/G minor combined Minuet, otherwise only known as Nos. 4 and 5 of Anna Magdalena Bach's second notebook.
Though Mozart touched on various minor keys in his symphonies, G minor is the only minor key he used as a main key for his numbered symphonies (No. 25, and the famous No. 40). In the Classical period, symphonies in G minor almost always used four horns, two in G and two in B ♭ alto. [2]
In the key of C major, these would be: D minor, E minor, F major, G major, A minor, and C minor. Despite being three sharps or flats away from the original key in the circle of fifths, parallel keys are also considered as closely related keys as the tonal center is the same, and this makes this key have an affinity with the original key.
Lord Jesus Christ, Only Begotten Son, Lord God, Lamb of God, Son of The Father, you take away the sins of the world, have mercy on us; you take away the sins of the world, receive our prayer; you are seated at the right hand of the Father have mercy on us. For you alone are the Holy One, you alone are the Lord, you alone are the Most High ...
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
Jesu, meine Freude (Jesus, my joy), BWV 227, is a motet by Johann Sebastian Bach. The longest and most musically complex of Bach's motets , it is set in eleven movements for up to five voices. It is named after the Lutheran hymn " Jesu, meine Freude " with words by Johann Franck , first published in 1653.