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Musical instruments characteristically found in the country of Ukraine and used by the Ukrainian people. Pages in category "Ukrainian musical instruments" The following 48 pages are in this category, out of 48 total.
Lira – a Ukrainian hurdy-gurdy with an oval or cello-shaped body and an attached triangular pegbox. Hudok – a three-stringed, pear-shaped Ukrainian bowed instrument which is usually held vertically, a relative of rebec. Husli – one of the oldest known Ukrainian musical instruments, described by the Greeks as early as the 6th century CE ...
The Ukrainian kobza was a traditionally gut-strung, lute-like stringed musical instrument with a body hewn from a single block of wood. Instruments with a staved assembly also exist. [ 3 ] The kobza has a medium-length neck which may or may not have tied-on frets, which were usually made of gut.
A key figure in the development of Ukrainian nationalist music during the 19th century was the composer, conductor and pianist Mykola Lysenko, [3] whose compositions include nine operas, and music for piano. He used Ukrainian poetry, including that of the poet Taras Shevchenko. In 1904, Lysenko opened the Russian Empire's first Ukrainian music ...
Ukrainian musical instruments (48 P) M. Ukraine in music contests and competitions (2 C, 1 P) Ukrainian music industry (2 C) Ukrainian music people (6 C) O.
These instruments stand on four legs, have many more strings, and a damping pedal. The concert cymbalom has replaced most of the smaller folk tsymbaly previously used in Ukrainian orchestras and in Academic Conservatory courses. These instruments are fully chromatic and have a range of over four octaves.
Kobzarstvo (Ukrainian: Кобзарство) in the wider definition, is the art and related culture of singing to the accompaniment of the Ukrainian plucked string instruments bandura and kobza, as well as the Ukrainian hurdy-gurdy, which is called lira.
The telenka (Ukrainian: Теленка) (telynka, tylynka) is an overtone flute, a primitive form of dentsivka without fingerholes.. The pitch produced from the instrument is changed by placing a finger into the open end of the pipe, and covering this opening by a half or third etc. and also by the strength of the player's breath.