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In the 20th century, one such canon is the Cantus in Memoriam Benjamin Britten by Arvo Pärt (1976). [1] Additionally, Larry Polansky has written numerous four-voice prolation canons whose melodies are permutations of a limited number of elements, and Mark Alburger , in Immortality from San Rafael News , directly maps a new melody into the ...
The four voices each sing in a different mensuration. For instance, in the first "Kyrie", the four voices sing in the meters 2/2, 3/2, 6/4, and 9/4 respectively (in modern notation). Thus, the second voice, in 3/2, sings the same tune as the first voice, in 2/2, but half again as slowly, so the voices gradually pull apart.
[1] [2] [3] Only in the 16th century did the word "canon" begin to be used to describe the strict, imitative texture created by such a procedure. [2] The word is derived from the Greek "κανών", Latinised as canon, which means "law" or "norm". In contrapuntal usage, the word refers to the "rule" explaining the number of parts, places of ...
The opening Kyrie of Josquin's mass contains consecutive mensuration canons based on each phrase of the L'homme armé tune, with the tenor leading each and the other voices entering in turn. [7] The second of the three of Agnus Dei sections is another well-known mensuration canon (see example); this particular canon was famous in the sixteenth ...
The term canon derives from the Greek κανών (kanon), meaning "rule", and thence via Latin and Old French into English. [1] The concept in English usage is very broad: in a general sense it refers to being one (adjectival) or a group (noun) of official, authentic or approved rules or laws, particularly ecclesiastical; or group of official, authentic, or approved literary or artistic works ...
The Nine Lyric or Melic Poets were a canonical group of ancient Greek poets esteemed by the scholars of Hellenistic Alexandria as worthy of critical study. In the Palatine Anthology it is said that they established lyric song.
Another class of eye music is when the score is purposely made difficult for the performer. [1] For example, in Benedetto Marcello's cantata Stravaganze d’amore, the continuo part is written entirely in enharmonic chords, that is, "puns" of chord indications spelled with no regard to the key of the rest of the ensemble, but (in equal temperament) indistinguishable audibly from those spelled ...
The main body of The Politically Incorrect Guide to English and American Literature, however, is focused upon an overview of the classic canon of English literature extending from Beowulf to Evelyn Waugh. There is another chapter after this discussing American literature from Nathaniel Hawthorne to Flannery O'Connor. Each chapter has: