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Form is a three-dimensional object with volume of height, width and depth. [2] These objects include cubes, spheres and cylinders. [2] Form is often used when referring to physical works of art, like sculptures, as form is connected most closely with those three-dimensional works. [5]
A form is an artist's way of using elements of art, principles of design, and media. Form, as an element of art, is three-dimensional and encloses space. Like a shape, a form has length and width, but it also has depth. Forms are either geometric or free-form, and can be symmetrical or asymmetrical.
Colors also have value; for example, yellow has a high value while blue and red have a low value. If you take a black and white picture of a colorful scene, all you are left with are the values. This important element of design, especially in painting and drawing, allows the artist to create the illusion of light through value contrast.
Paint texture on The Sower with Setting Sun by Vincent van Gogh. In the visual arts, texture refers to the perceived surface quality of a work of art.It is an element found in both two-dimensional and three-dimensional designs, and it is characterized by its visual and physical properties.
Form is one of the most frequent terms in literary criticism. It is often used merely to designate a genre or for patterns of meter lines and rhymes. For example, the subject of these two artworks is a bird, though both artworks are created in different styles.
The etymology of the word "morphology" is from the Ancient Greek μορφή (morphḗ), meaning "form", and λόγος (lógos), meaning "word, study, research". [2] [3]While the concept of form in biology, opposed to function, dates back to Aristotle (see Aristotle's biology), the field of morphology was developed by Johann Wolfgang von Goethe (1790) and independently by the German anatomist ...
Its discussion also includes the way objects are made and their purely visual or material aspects. In painting, formalism emphasizes compositional elements such as color, line, shape, texture, and other perceptual aspects rather than content, meaning, or the historical and social context. At its extreme, formalism in art history posits that ...
A form is a product of the designer's creativity. An architect's intuition suggests a new form that eventually blossoms, this explains similarities between the buildings with disparate functions built by the same architect; A form is dictated by the prevailing set of attitudes shared by the society, the Zeitgeist ("Spirit of Age"). While ...