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The only major difference between Caymmi's original lyrics and those found in The Three Caballeros is that of whom the song addresses. The original lyrics are addressed to a "nega" or woman of African descent, while in The Three Caballeros, the song is addressed to Donald Duck. [1] While Disney used many other pre-existing Latin American songs ...
The song, retitled "Baía" (also known as "Bahia"), was featured in the Disney film The Three Caballeros, with English lyrics written by Ray Gilbert and sung by Nestor Amaral. [1] The lyrics to "Baía" are not a translation of Ary Barroso’s original Portuguese lyrics, and differ from them considerably.
A large group of men soon gather around her and join in the song. On the official soundtrack of The Three Caballeros, the song was sung by Nestor Amaral with Bando Da Lua and with Charles Wolcott and his Orchestra. [10] An instrumental version performed by Stanley Black and his Piano Barroso was featured in the 1992 film Strictly Ballroom.
The title song, "The Three Caballeros", based its melody on "Ay, Jalisco, no te rajes!", a Mexican song composed by Manuel Esperón with lyrics by Ernesto Cortázar. "Ay, Jalisco, no te rajes!" was originally released in a 1941 film of the same name, starring Jorge Negrete. After seeing Manuel Esperón's success in the Mexican film industry ...
The song is written in the Son Jarocho style of music, a traditional style of the southern region of Veracruz [1] which combines Spanish, indigenous, and African musical elements. "Lilongo" was copyrighted in the U.S. in 1946, [1] though it was first recorded in the U.S. in 1938. [2] It is most notable for its inclusion in the film The Three ...
I'm also 99% certain that "Morris the Midget Moose" was included, although it was re-narrated, I'm pretty sure, to match the film better (the original short is narrated by this little beetle; the way it appeared in my verison of The Three Caballeros, I'm fairly certain the narrator's voice was a reasonable match for the narrator throughout the ...
Jack Cutting, who was still the studio's resident "foreign expert", noted the problem as early as February 1944 when he heard the earliest recordings: "The Garay rendition of the song ['The Three Caballeros]' is excellent, but do not care for his handling of the narration back of 'Las Posadas'. It sounds as though he is striving too much for a ...
The author of the lyrics and music is Viktor Tsoi. The keyboard solo for the recording was played by pianist Andrey Sigle. At concerts, the song was performed in a simplified version without the keyboard solo. The song earned 58th place among the top hundred Russian rock songs of the 20th century, according to Nashe Radio.