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  2. Ozma (band) - Wikipedia

    en.wikipedia.org/wiki/Ozma_(band)

    Ozma is an American rock band from Pasadena, California. [2] The band's sound is a mix of nostalgic new wave –influenced power pop and contrapuntal Casiotone -driven melodies sustained by heavy guitar riffs.

  3. Ozma (album) - Wikipedia

    en.wikipedia.org/wiki/Ozma_(album)

    Ozma is the second studio album by the Melvins, released in 1989 through Boner Records. It is the first Melvins album to feature Lori Black on bass guitar and was recorded when the band relocated to San Francisco .

  4. Boomtown (Ozma album) - Wikipedia

    en.wikipedia.org/wiki/Boomtown_(Ozma_album)

    Boomtown was Ozma's first effort in seven years following 2007's Pasadena. [1] It opens with "Around The World In 80 Seconds," Ozma's first instrumental [2] since The Doubble Donkey Disc's "Korobeiniki." "Nervous" is notable as the first Ozma song written by drummer Kenn Shane, and the first lead vocal by keyboardist Star Wick.

  5. '50s progression - Wikipedia

    en.wikipedia.org/wiki/'50s_progression

    The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...

  6. List of Oz books - Wikipedia

    en.wikipedia.org/wiki/List_of_Oz_books

    Ozma and Glinda go to meet with the Fairy Queen Lurline in the Forest of Burzee and leave Dorothy in charge of Oz. During Ozma's absence, the evil Mimics escape their imprisonment on Mount Illuso and use their magic to take the form of others and attempt to conquer Oz. 38: The Shaggy Man of Oz: Frank Kramer: 1949: Reilly & Lee

  7. Tristan chord - Wikipedia

    en.wikipedia.org/wiki/Tristan_chord

    This motif also appears in measures 6, 10, and 12, several times later in the work, [clarification needed] and at the end of the last act.. Martin Vogel [] points out the "chord" in earlier works by Guillaume de Machaut, Carlo Gesualdo, J. S. Bach, Mozart, Beethoven, or Louis Spohr [1] as in the following example from the first movement of Beethoven's Piano Sonata No. 18:

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