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List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual 15 equal temperament: 15-tet scale on C. Play ⓘ — — — 15 — — — 16 equal temperament: 16-tet scale on C. Play ⓘ — — — 16 — — — 17 equal ...
The Ionian mode corresponds to the major scale. Scales in the Lydian mode are major scales with an augmented fourth. The Mixolydian mode corresponds to the major scale with a minor seventh. The Aeolian mode is identical to the natural minor scale. The Dorian mode corresponds to the natural minor scale with a major sixth.
Download as PDF; Printable version; ... Pages in category "Modes (music)" ... List of ragas in Hindustani classical music; Locrian mode; Lydian augmented scale ...
Trio for violin, oboe and piano, Artemis (2nd mov.) [2] Prelude No. 9 [2] [3] Mazurka No. 1 [2] Madeleine Dring; Lilliburlero Variations for Two Pianos [4] Prince Edmond de Polignac; Échos de l'Orient judaïque (1879) [5] "Chant à la lune", incidental music to Salammbô (1886) [6] Joseph Haydn; String Quartet in F minor, Op. 20 No. 5 [7] The ...
A heptatonic scale is a musical scale that has seven pitches, or tones, per octave. Examples include: the diatonic scale; including the major scale and its modes (notably the natural minor scale, or Aeolian mode) the melodic minor scale, like the Aeolian mode but with raised 6th and 7th ascending
A scale is a related set of pitches (not necessarily exact) that can be used as a compositional unit. It differs from a tuning or temperament since the latter is a system for tuning an instrument. The chromatic scale can be played in Pythagorean tuning , meantone temperament , or 12-tone equal temperament , or indeed many different types of ...
The Phrygian dominant is also known as the Spanish gypsy scale, because it resembles the scales found in flamenco and also the Berber rhythms; [4] it is the fifth mode of the harmonic minor scale. Flamenco music uses the Phrygian scale together with a modified scale from the Arab maqām Ḥijāzī [5] [6] (like the Phrygian dominant but with a ...
Locrian is the word used to describe an ancient Greek tribe that habited the three regions of Locris. [1] Although the term occurs in several classical authors on music theory, including Cleonides (as an octave species) and Athenaeus (as an obsolete harmonia), there is no warrant for the modern use of Locrian as equivalent to Glarean's hyperaeolian mode, in either classical, Renaissance, or ...