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Wesley Morris (born 1975) [2] is an American film critic and podcast host. He is currently critic-at-large for The New York Times, [3] as well as co-host, with J Wortham, of the New York Times podcast Still Processing. Previously, Morris wrote for The Boston Globe, then Grantland. [4]
Manohla June Dargis (/ m ə ˈ n oʊ l ə ˈ d ɑːr ɡ ɪ s / mə-NOH-lə DAR-ghiss) [1] is an American film critic. She is the chief film critic for The New York Times. [2] She is a five-time finalist for the Pulitzer Prize for Criticism.
Anthony Oliver Scott (born July 10, 1966) is an American journalist and cultural critic, known for his film and literary criticism. After starting his career at The New York Review of Books, Variety, and Slate, he began writing film reviews for The New York Times in 2000, and became the paper's chief film critic in 2004, a title he shared with Manohla Dargis.
Janet Maslin (The New York Times) Harold McCarthy; Todd McCarthy (Variety, The Hollywood Reporter) Michael Medved (New York Post, Sneak Previews) Nell Minow (rogerebert.com and moviedom.com) Elvis Mitchell (The New York Times, Fort Worth Star-Telegram, Los Angeles Herald Examiner, The Detroit Free Press) Khalid Mohammed (Hindustan Times)
The New York Film Critics Circle, one of the nation's oldest and most venerated critics' groups, is kicking movie awards season into high gear Tuesday as they select their choices for the best of ...
Our critics share their favorites of 2024. Beyoncé, Sabrina Carpenter and Chappell Roan. "The Vince Staples Show" and "The Completely Made-Up Adventures of Dick Turpin."
The 90th New York Film Critics Circle Awards, honoring the best in film for 2024, were announced on December 3, 2024. The group's annual awards gala were held on January 8, 2025, at TAO Downtown in New York City. [1]
The New York Times critic points out that "'Funny Pages' was shot in super 16 millimeter film, which gives the movie a gritty texture that fits the material and, at times, evokes some classics of 1970s cinema" while being "exhilaratingly free of the do-gooder, aspirational current that runs through so many ostensibly independent features ...
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